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Vintage Future - Dookie Machine - Underground Resistance - Detroit Techno

Vintage Future - Dookie Machine - Underground Resistance - Detroit Techno
Price £15.00

Track Listing

A Dookie Machine (8:53)
B1 Dangerous (Original Mix) (7:09)
B2 Dangerous (Detroit Tap Edit) (7:37)

Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Vintage Future
Title Dookie Machine
Label Underground Resistance
Catalogue UR-088
Format Vinyl 12 Inch
Released 2016
Genre Detroit Techno

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Some Other Artists in the Detroit Techno Genre

Underground ResistanceRandom Noise GenerationSteve PoindexterRobert HoodSuburban KnightTheo ParrishOmar-SBottom Feeders, ThePhase90Risque IIIInner CityFascinating RhythmFlexitoneEMBOpen House & Placid AnglesBileebobVenomousDeepChordTres Demented2 The Hard WayTerrence ParkerRhythim Is RhythimModel 500 / MaydayBlake BaxterAux 88K.O.T.Robert Hood & FloorplanParis KloutFloorplan3MB & Juan AtkinsJon Dixon (3)Bridgett GraceCallowayRhythim Is Rhythim & Derrick May & MaydayInnerzone OrchestraFade To BlackH & MGeologyJeff Mills

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Some Other Artists on the Underground Resistance Label

Underground ResistanceSuburban KnightBileebobUnderground Resistance & Shadow, TheMike Banks & DJ Rolando & Octave OneUnderground Resistance & Yolanda ReynoldsInfiltrator, TheDark EnergyMark Taylor DJ RolandoAquanauts, TheHostile, TheTimelinePerception & Mike BanksMike Banks & Trinity, The Underground Resistance & Beat Mechanic, TheAztec Mystic, TheUnderground Resistance & Aquanauts, TheDavinaX-102DrexciyaRemote Scan 7PervtechS²Unknown Soldier, TheGalaxy 2 GalaxyMike BanksX-101M.I.ADJ SkurgeNomadicoDJ Rolando & Aztec Mystic, TheMark FlashSuburban Knight & Chameleon & Dark EnergyChaos

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Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

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