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Suburban Knight - Nocturbulous Behavior - Underground Resistance - Detroit Techno

Suburban Knight - Nocturbulous Behavior - Underground Resistance - Detroit Techno
Price £10.00

Track Listing

A1 Infra Red Spectrum (8:05)
A2 Magnetic Timetable (2:12)
B1 Nocturbulous (5:06)

Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Suburban Knight
Title Nocturbulous Behavior
Label Underground Resistance
Catalogue UR-011
Format Vinyl 12 Inch
Released 2010
Genre Detroit Techno

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Other Titles by Suburban Knight

By Night EPMy Sol Dark DirectionNocturbulous Behaviour- new repressThe Art Of StalkingThe Art Of Stalking (Deepside Remixes)The GrooveThe GrooveThe Groove (reissue)

Some Other Artists in the Detroit Techno Genre

Underground ResistanceOmar-SRandom Noise GenerationSteve PoindexterRisque IIITheo ParrishAux 88Bottom Feeders, TheInner CityPhase90Andrew AshongParis VenomousVintage FutureBileebobFascinating RhythmOpen House & Placid AnglesThe Martian3MB & Juan AtkinsRobert Hood & FloorplanJeff MillsPsyanceMartian 04469DeepChord2 The Hard WayTerrence ParkerBlake BaxterFlexitoneEMBKloutTres DementedRhythim Is RhythimR-TymeK.O.T.PsycheModel 500 / MaydayX-102Vince WatsonE-Dancer

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Some Other Artists on the Underground Resistance Label

Underground ResistanceBileebobVintage FutureMark FlashAztec Mystic, TheGalaxy 2 GalaxyDJ RolandoDrexciyaMike Banks & DJ Rolando & Octave OneDavinaX-102Hostile, TheScan 7Underground Resistance & Shadow, TheDJ SkurgePerception & Mike BanksPervtechInfiltrator, TheDJ Rolando & Aztec Mystic, TheUnderground Resistance & Beat Mechanic, TheUnknown Soldier, TheMark Taylor ChaosSuburban Knight & Chameleon & Dark EnergyUnderground Resistance & Aquanauts, TheMike BanksAquanauts, TheRemote X-101M.I.ATimelineUnderground Resistance & Yolanda ReynoldsNomadicoMike Banks & Trinity, The Dark Energy

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Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

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