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Phil Collins - Another Day In Paradise - Virgin - Down Tempo

Phil Collins - Another Day In Paradise - Virgin - Down Tempo
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Track Listing

A Another Day In Paradise (5:15)
B1 Saturday Night And Sunday Morning (1:25)
B2 Heat On The Street (3:59)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Phil Collins
Title Another Day In Paradise
Label Virgin
Catalogue VST 1234
Format Vinyl 12 Inch
Released 1989
Genre Down Tempo

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Other Titles by Phil Collins

A Groovy Kind Of LoveA Groovy Kind Of LoveA Groovy Kind Of LoveA Groovy Kind Of LoveAgainst All Odds (Take A Look At Me Now)Another Day In ParadiseAnother Day In ParadiseDon't Let Him Steal Your Heart AwayFace ValueHello, I Must Be Going!I Wish It Would Rain DownI Wish It Would Rain DownIf Leaving Me Is EasyIn The Air TonightNo Jacket Required


Some Other Artists in the Down Tempo Genre

Barbra StreisandL.A. MixBeats InternationalJennifer RushAlison MoyetSoul II SoulPaul YoungPauline HenryLisa StansfieldDavid HolmesEverything But The GirlRuby TurnerRandy CrawfordSimon ClimieSimply RedOran 'Juice' JonesCarly SimonZoë BirkettEFUAZoëPhyllis NelsonBeatsystemElton JohnBarry ManilowHowie B.NTAloof, The1 WorldEternityMaureen WalshDes'reeEngelbert HumperdinckBerlinSydney YoungbloodInnocenceOleta AdamsAndy WilliamsQuartz & Dina CarrollGary Clail&On-U Sound SystemBy All Means

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Some Other Artists on the Virgin Label

Culture ClubMike OldfieldMai TaiSimple MindsFeargal SharkeyHeaven 17Well RedDanny WilsonBoy GeorgeThe Human LeagueJanet JacksonWorking WeekFrazier ChorusLoose EndsHabitScritti PolittiSoul II SoulEverything But The GirlBeenie ManGenesisKelisAgent SumoSugar BulletEurythmicsBassomaticLenny KravitzI-LevelSindecut, ThePhil Collins & Marilyn MartinChina CrisisGillanEFUAWendy & LisaZeitia MassiahDaft PunkFloy JoyThe Future Sound Of LondonLavine HudsonOrchestral Manoeuvres In The DarkFrankie Knuckles & Adeva

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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