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Bix Beiderbecke - The Young Man With The Horn - CBS - Jazz

Bix Beiderbecke - The Young Man With The Horn - CBS - Jazz
Price £5.00

Track Listing

A1 Bix Beiderbecke And His Gang The Jazz Me Blues
A2 Bix Beiderbecke And His Gang Louisiana
A3 Bix Beiderbecke And His Gang Sorry
A4 Bix Beiderbecke And His Gang Thou Swell
A5 Bix Beiderbecke And His Gang Ol\' Man River
A6 Bix Beiderbecke And His Gang Somebody Stole My Girl
B1 Bix Beiderbecke And His Gang Royal Garden Blues
B2 Bix Beiderbecke And His Gang At The Jazz Band Ball
B3 Bix Beiderbecke And His Gang Since My Best Gal Turned Me Down
B4 Bix Beiderbecke And His Gang Wa-Da-Da (Ev\'rybody\'s Doin\' It Now)
B5 Bix Beiderbecke And His Gang Goose Pimples
B6 Bix Beiderbecke And His Gang Rhythm King
C1 Frankie Trumbauer And His Orchestra Singin\' The Blues
C2 Frankie Trumbauer And His Orchestra Clarinet Marmalade
C3 Frankie Trumbauer And His Orchestra Way Down Yonder In New Orleans
C4 Frankie Trumbauer And His Orchestra Mississippi Mud
C5 Tram, Bix And Eddie For No Reason At All In C
C6 Frankie Trumbauer And His Orchestra They\'ll Come A Time (Wait And See)
D1 Frankie Trumbauer And His Orchestra I\'m Comin\' Virginia
D2 Frankie Trumbauer And His Orchestra Ostrich Walk
D3 Frankie Trumbauer And His Orchestra A Good Man Is Hard To Find
D4 Tram, Bix And Eddie Wringin\' And Twistin\'
D5 Frankie Trumbauer And His Orchestra Crying All Day
D6 Frankie Trumbauer And His Orchestra Riverboat Shuffle


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Bix Beiderbecke
Title The Young Man With The Horn
Label CBS
Catalogue 88 030
Format Vinyl Double Album
Released 1974
Genre Jazz

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Other Titles by Bix Beiderbecke

Bix Beiderbecke And The Chicago CornetsBix Beiderbecke And The Chicago CornetsSingin' The BluesThe Bix Beiderbecke Collection - 20 Golden GreatsThe Bix Beiderbecke Collection - 20 Golden GreatsThe Young Man With The Horn


Some Other Artists in the Jazz Genre

Frank SinatraStan Kenton And His OrchestraStan KentonCount BasieLouis ArmstrongBenny GoodmanDuke Ellington And His OrchestraTed Heath And His MusicWoody HermanErroll GarnerHarry James And His OrchestraElla FitzgeraldDuke EllingtonThe Manhattan TransferThe Dave Brubeck QuartetHerb Alpert & The Tijuana BrassCount Basie OrchestraCleo LaineFats WallerCharlie ParkerArtie ShawThe Dutch Swing College BandWoody Herman And His OrchestraTommy DorseyJelly Roll MortonStéphane GrappelliArtie Shaw And His OrchestraSyd Lawrence And His OrchestraBrook BentonShorty Rogers And His GiantsThe Modern Jazz QuartetHarry James Buck ClaytonMiles DavisHerb AlpertOscar PetersonRay AnthonyEarl HinesBilly MayShorty Rogers

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Some Other Artists on the CBS Label

Paul YoungKingJennifer RushAlison MoyetBrosTerence Trent D'ArbyBilly JoelBarbra StreisandChimes, TheHaywoodeDeniece WilliamsAndy WilliamsFull ForcePaul JohnsonNew Kids On The BlockThe ChimesTony BennettGregory AbbottArt GarfunkelEarth, Wind & FireJeff Wayne & Ben LiebrandSantanaMarvin GayeSimon & GarfunkelAdam And The AntsThe PasadenasForrestHerbie HancockLisa Lisa & Cult Jam & Full ForceSpandau BalletBerlinDeacon BlueDavid EssexDee C. LeeMarty RobbinsTina CharlesJoe SmoothTerence Trent D'ArbyJulio IglesiasBilly Griffin

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Information on the Jazz Genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.


In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.

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