Unknown Artist - Untitled - Btech - Techno
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Price | £5.00 |
Track ListingB UntitledMedia Condition » Very Good (VG) Sleeve Condition » Generic |
Artist | Unknown Artist | ||
Title | Untitled | ||
Label | Btech | ||
Catalogue | 12 TEK 94 | ||
Format | Vinyl 12 Inch | ||
Released | 1991 | ||
Genre | Techno |
Other Titles by Unknown Artist
• Holy • Les Edits Du Golem 5 • Miami Massive EP • Untitled • All I See • Celebration • Cocaine • Delieu EP • DJ's At Work Vol 2 • Don't Stop / Ministry Of Love • Dub Sunshine • Eternal Energy • Everybody Get Digital • Feel The Power • Feevapitch! •
Some Other Artists in the Techno Genre• 808 State • DJ Dan • Eskimos & Egypt • The Chemical Brothers • The Shamen • Moby • Luke Slater • Slam • Underworld • The Prodigy • Jbs • Dave Clarke • WestBam • Sven Väth • Format • Ken Ishii • Subculture (4) • Bob Brown • Ken Ishi • David Roiseux • Beat In Time • Carl Cox • Roel Butzen • Sound Exciters • Dynamite • Dave Angel • Mark Summers • Stacey Pullen • Cristian Vogel • Kerosene • Panoptica • Tony Crooks • DJ Dan & Needle Damage • Groove Cyclone • Chelsea Grin • Donato Capozzi • Boom Boom Satellites • Morpheus • Technomania • Mike Dearborn • |
Some Other Artists on the Btech Label• Maniac Tackle • Travelling Virgins • Creeps, The • MDA • Concorde Movement • Clubland & Quartz • Alhambra • Bassrace • Soundsource • Full On Sound • Morgan King • Clubland • Ambi Ence • Paris Grey • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
Data from the Discogs music database. Submit a Release.