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Siouxsie & The Banshees - Candyman - Wonderland (3) - Indie

Siouxsie & The Banshees - Candyman - Wonderland (3) - Indie
Price £7.00

Track Listing

Other Side
A Candyman (3:43)
This Side
B1 Lullaby (3:33)
B2 Umbrella (4:14)


Media Condition » Very Good (VG)
Sleeve Condition » Very Good Plus (VG+)
Artist Siouxsie & The Banshees
Title Candyman
Label Wonderland (3)
Catalogue SHEX 10
Format Vinyl 12 Inch
Released 1986
Genre Indie

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Other Titles by Siouxsie & The Banshees

Dear PrudenceArabian KnightsCandymanChristine - (Generic Sleeve)Happy HouseNocturneOnce Upon A Time / The SinglesOnce Upon A Time/The SinglesSpellboundThe ScreamThe Staircase (Mystery)


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The FarmBedazzledTouch Of EvilThousand Yard StareThe Soup DragonsThe Darling BudsFive ThirtyHis Latest FlameJesus JonesWonder Stuff, TheAn Emotional FishThat Petrol EmotionThe PopinjaysLivingstoneEverything But The GirlCUDCarter The Unstoppable Sex MachineSenseless ThingsBirdlandBlurThe HousemartinsOasisSoup Dragons, TheThe Wonder StuffNed's Atomic DustbinFaith BrothersIan BrownInspiral CarpetsHappy MondaysNatural LifeBleach (3)The MissionTerrorvisionMagic Numbers, TheMorrisseyViolets, TheScorpio Rising Test IciclesGay DadEat

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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