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FC Kahuna - Bright Morning White - Kahuna Cuts - Nu Skool Breaks

FC Kahuna - Bright Morning White - Kahuna Cuts - Nu Skool Breaks

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FULL VERSION, KILLING TIME ON THE 15TH FLOOR, EDIT

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Not Graded
Artist FC Kahuna
Title Bright Morning White
Label Kahuna Cuts
Catalogue kcuts004
Format Vinyl 12 Inch
Released
Genre Nu Skool Breaks

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Other Titles by FC Kahuna

Bright Morning WhiteMachine Says YesMachine Says Yes RemixesGlitterball - inc Swayzak RemixYou Know It Makes Sense / What Is Kahuna?Bright Morning WhiteGlitterballHaylingHaylingHayling - (Generic Sleeve)Machine Says YesMachine Says YesMachine Says Yes


Some Other Artists in the Nu Skool Breaks Genre

SuperbangdeluxeLexi LoveSeizmicFatlinersGenotypeRennie PilgremDean MuhsinSkinflintMad HubanM. Welch & T. RyanMcMillan & TabLen LewisMr LoopezO.B. OneJoy KitikontiHyperHighly SkilledHigh PrimeGoddard & WilsonFor?eFreq NastyFreestylersDark Globe/La-LigaAngelo D'OnorioApexApollo Kids (The)Ben Coulpland & Dj QuestBreakneckBroadway Danny RoseCass & SlideChris CarterDark GlobeFranceDeejay Punk-RocDeep ImpactDJ Hyper vs Dylan RhymesDJ Mutiny & AmazireeDowntown CrewDubwiseEr-Barto

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Some Other Artists on the Kahuna Cuts Label

The Mad Dog ReflexEl DestructoFuselageKilo As Seanie BMad Dog Reflex, TheLanguage LabDJ Kool & Crooklyn ClanSeanie B & Kilo

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Information on the Nu Skool Breaks Genre

Nu skool breaks (often abbreviated to nuskool or breaks) is a term used to describe a sub-genre of breakbeat. The sub-genre is usually characterized by its darker and heavier bass lines that are normally dominant throughout the track. Typically, tracks range between 125 to 140 bpm.

Origins

The term is widely attributed to Rennie Pilgrem and Adam Freeland, who used it to describe the sound at their night Friction, which was launched at Bar Rumba in 1996, with promoter Ian Williams. In 1998, the label was used on two compilations, Nu Skool Breaks, Volume 1 and 2, compiled with Danny McMillan and released through UK based Kickin Records. The first volume of these was recorded live at the aforementioned London club night Friction.


Artists

Recognised nu skool producers include Plump DJs, NAPT, Ãœberzone, Freq Nasty, Ils, Stanton Warriors, Aquasky and Hybrid. The major producers have remixed and/or produced tracks for acts such as Orbital, Fatboy Slim, 'N Sync, Kelis and New Order. Much of the music of The Prodigy, especially their more recent work, can be classified as Nu Skool Breaks.

In the UK the scene is currently dominated by the Stanton Warriors, Plump DJs and NAPT. Up coming noteworthy acts include B.S.D, Beat Assassins, Plaza De Funk and Far Too Loud. In the USA, known for its more acid-based breaks sound, the sound has gained popularity, especially on the West Coast. North American artists include Pillform, Keith Mackenzie and Ãœberzone. Australia also has a burgeoning scene with popular artists including Kid Kenobi and Dopamine.


Tear-out / hardcore breaks

Tearout breaks emerged with the birth of Hardcore Beats Records - the sound, while following the intricate drum programming of nuskool, featured more of the aggression of modern drum and bass instrumentation, sometimes applying hoover and reese basslines. In their song "Stereo:Typical", Ctrl-Z and Screwface claim to be "pioneers of the tear-out sound"; other notable artists include Antiform, The Autobots and Dual Calibre.