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  Artist Title Label Price

Andrew Ashong

Format: Vinyl 12 Inch
Genre: Detroit Techno


A Andrew Ashong & Theo Parrish Flowers (8:51)
B1 Andrew Ashong Take It Slow (7:06)
B2 Andrew Ashong The Way She Moves (5:19)

Sound Signature

Cat No: SS048
Released: 2012


3MB & Juan Atkins

Format: Vinyl 12 Inch
Genre: Detroit Techno

3MB Feat. Magic Juan Atkins E.P.

A1 Jazz Is The Teacher (Magic Juan Edit)
A2 Jazz Is The Teacher
B1 The 4th Quarter
B2 Bassmental
B3 Die Kosmischen Kuriere


Cat No: 12 NoMu 21
Released: 1993



Format: Vinyl 12 Inch Picture Disc
Genre: Detroit Techno

Rotoreliefs EP

∀1 Pulse Of Revolution (7:18)
∀2 Intergalactic Pimps (4:33)
Ǝ1 Metacognition (Original) (4:30)
Ǝ2 Metacognition (Acaplella) (6:13)

Planet E

Cat No: pe flex-1
Released: 1995


The Martian

Format: Vinyl Double 12 Inch
Genre: Detroit Techno


A Ghostdancer (10:22)
B1 Medicine Man (5:32)
B2 Marisian Probes Over Montana (4:40)
C1 Starchild (8:05)
C2 The Vanishing Race (2:54)
D1 The Talking Rocks Of Mars (6:08)
D2 Windwalker (6:30)

Red Planet

Cat No: RP-6
Released: 1995


Martian 044

Format: Vinyl 12 Inch
Genre: Detroit Techno

Prayer Stick

A1 Prayer Stick
A2 Prayer Stick (Trans-Electric)
B Dream Dancing

Red Planet

Cat No: RP-9
Released: 1998


Jeff Mills

Format: Vinyl 12 Inch
Genre: Detroit Techno

The Purpose Maker

A1 Casa (4:56)
A2 In The Bush (5:00)
B1 Reverting (4:43)
B2 Black Is The Number (5:17)


Cat No: AX-11
Released: 1995



Format: Vinyl 12 Inch
Genre: Detroit Techno

Illusion / R-Theme

A1 Illusion (Mix 1: Mayday)
A2 Illusion (Mix 2: Magic Juan)
B1 R-Theme (Mix 1: Mayday)
B2 R-Theme (Mix 2: D. Wynn)

Kool Kat

Cat No: KOOL T500
Released: 1989


Blake Baxter

Format: Vinyl 12 Inch
Genre: Detroit Techno

When We Used To Play

A1 When We Used To Play
A2 Get Layed
B1 Body Work
B2 Does Not Compute


Cat No: KMS 011
Released: 1987



Format: Vinyl 12 Inch
Genre: Detroit Techno


A1 Crackdown
A2 From Beyond
B1 Neurotic Behavior (Reproduction Mix)
B2 Andromeda

Kool Kat

Cat No: KOOL T 603
Released: 1990


Aux 88

Format: Vinyl 12 Inch
Genre: Detroit Techno

Electro Techno EP

A1 Electro Techno
A2 Black Planet
B1 Electro Techno (Remix)
B2 The Flight

Direct Beat Classics

Cat No: DBC-016
Released: 2020


Suburban Knight

Format: Vinyl 12 Inch
Genre: Detroit Techno

Nocturbulous Behavior

A1 Infra Red Spectrum (8:05)
A2 Magnetic Timetable (2:12)
B1 Nocturbulous (5:06)

Underground Resistance

Cat No: UR-011
Released: 2010


Risque III

Format: Vinyl 12 Inch
Genre: Detroit Techno

Essence Of A Dream

A Essence Of A Dream
B Risqué Madness

Dark Entries

Cat No: DE-281
Released: 2021


Underground Resistance

Format: Vinyl 12 Inch
Genre: Detroit Techno

Riot EP

A1 Riot (4:50)
A2 Panic (4:56)
B1 Rage (7:25)
B2 Assault (4:16)

Underground Resistance

Cat No: UR-010


Underground Resistance

Format: Vinyl 12 Inch
Genre: Detroit Techno

World 2 World

A1 Amazon (4:33)
A2 Jupiter Jazz (4:30)
B1 Cosmic Traveler (6:45)
B2 Greater Than Yourself (5:11)

Underground Resistance

Cat No: UR020
Released: 2016


Vintage Future

Format: Vinyl 12 Inch
Genre: Detroit Techno

Dookie Machine

A Dookie Machine (8:53)
B1 Dangerous (Original Mix) (7:09)
B2 Dangerous (Detroit Tap Edit) (7:37)

Underground Resistance

Cat No: UR-088
Released: 2016


Page of 27 next >>

Information on the Detroit Techno genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.