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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Disco

One Mind Two Hearts

A One Mind Two Hearts (Extended Version)
B Back Together (Extended Version)

Priority Records

Cat No: PX1
Released: 1983


Amii Stewart

Format: Vinyl 12 Inch
Genre: Disco


Megamix (7:19)
B Jealousy (Remix) (5:55)


Cat No: EDITX 3303
Released: 1985


Evelyn Thomas

Format: Vinyl 12 Inch
Genre: Disco

High Energy

A High Energy (Vocal) (7:50)
B High Energy (Instrumental Dub) (7:28)

Record Shack Records

Cat No: SOHOT 18
Released: 1984



Format: Vinyl 7 Inch
Genre: Disco


A Videotheque
B Living A Life Of Dreams


Cat No: BUCK 4
Released: 1982


Loleatta Holloway

Format: Vinyl 12 Inch
Genre: Disco

The Salsoul Remix Series (Todd Terry)

A Love Sensation (Special Todd Terry Extended 12" Remix) (6:43)
B Love Sensation (Special Todd Terry/Kenny Dope Extended 12" Dub Remix) (6:56)

Suss'd Records

Cat No: SALSA RE 12 006
Released: 2005



Format: Vinyl 7 Inch
Genre: Disco

In The Bush

A In The Bush (3:32)
B In The Bush (Special Disco Mix By Francois K) (6:44)


Cat No: S CBS 6791
Released: 1978


Rose Royce

Format: Vinyl 12 Inch
Genre: Disco

Car Wash

A Car Wash (3:18)
B I Wanna Get Next To You (3:26)

Old Gold

Cat No: OG 9322
Released: 1983



Format: Vinyl 7 Inch
Genre: Disco

Magic Fly

A Magic Fly (4:18)
B Ballad For Space Lovers (2:16)

Pye International

Cat No: 7N 25746
Released: 1977


Kid Creole And The Coconuts

Format: Vinyl 7 Inch
Genre: Disco

Christmas In B'Dilli Bay

A Dear Addy (3:56)
B1 No Fish Today (3:23)
B2 Christmas On Riverside Drive (3:37)

ZE Records

Cat No: WIP 6840
Released: 1982


Big Wheel And The Motor Mixers

Format: Vinyl 12 Inch
Genre: Disco

Don't Forget The Motor City

A Don't Forget The Motor City (The Authentic Mix)
B Don't Forget The Motor City (The New Mix)

Dino Entertainment

Cat No: MMIX 12
Released: 1990


Rick James

Format: Vinyl 12 Inch
Genre: Disco

Super Freak

A Super Freak (Disco Mix) (7:05)
B Super Freak (Pt. 1) (3:18)


Cat No: TMGT 1241
Released: 1981


Rhythm Heritage

Format: Vinyl Album
Genre: Disco

Last Night On Earth

A1 Theme From Rocky (Gonna Fly Now) (3:33)
A2 Dance The Night Away (3:48)
A3 Disco Queen (2:52)
Do It Again, Cisco Kid (Medley) (4:36)
A4a Do It Again
A4b Cisco Kid
A5 Theme From Lipstick (3:36)
Last Night On Earth (17:08)
B1 Part 1. Angry World (5:50)
B2 Part 2. Anytime, Any Place (5:59)
B3 Part 3. Last Night On Earth (5:20)

ABC Records

Cat No: AB-987
Released: 1977



Format: Vinyl Compilation
Genre: Disco


A1 Let's Get Started (6:43)
A2 Come And Get It (4:12)
A3 One Step Higher (5:42)
B1 I Surrender (4:35)
B2 Nowhere To Hide (3:28)
B3 Magic In The Groove (3:45)
B4 Follow The Brightest Star (7:31)


Cat No: 1C 064-53 932
Released: 1982


Donna Summer

Format: Vinyl Album
Genre: Disco

I Remember Yesterday

A1 I Remember Yesterday
A2 Love's Unkind
A3 Back In Love Again
A4 I Remember Yesterday (Reprise)
B1 Black Lady
B2 Take Me
B3 Can't We Just Sit Down (And Talk It Over)
B4 I Feel Love


Cat No: CBS 31718
Released: 1977


James Ingram

Format: Vinyl 12 Inch
Genre: Disco

Yah Mo B There

A Yah Mo B There (Jellybean Club Mix) (6:40)
B1 Yah Mo B There (Jellybean Dub Mix) (5:36)
B2 Come A Da Machine (To Take A My Place) (2:57)

Qwest Records

Cat No: W9394T
Released: 1984


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Information on the Disco genre

The disco sound, style and ethos has its roots in the late 1960s. New York City blacks, gays, heterosexuals, women and Hispanics adopted several traits from the hippies and psychedelia. They included overwhelming sound, free form dancing, "trippy" lighting, colorful costumes, and hallucinogens. Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound discussed in the next paragraph. In addition the positivity, lack of irony and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message.

Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972) and "The Love I Lost" (Harold Melvin & The Blue Notes, 1973).

The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few. They inspired and influenced such prolific European dance-track producers as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17-minute-long song with "shimmering sound and sensual attitude". calls Moroder "one of the principal architects of the disco sound".

The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus single-handedly creating the "Remix" which has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.

Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 – 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.