Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]
5260 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 351 next >>
  Artist Title Label Price

Ram Trilogy

Format: Vinyl 12 Inch
Genre: Drum & Bass

Chapter Two

A Mind Overload (7:00)
AA Intercity (7:10)

RAM Records

Cat No: RAMM 23
Released: 1998

£4.50

Da Lick Crew

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Killer / Shadow (Remix)

A The Killer
AA Shadow (Remix)

Da Lick

Cat No: DALICK 14
Released: 1998

£6.00

Ils & Solo

Format: Vinyl 12 Inch
Genre: Drum & Bass

Outer Edge / Floorplan

A Outer Edge
B Floorplan

Bluprints

Cat No: BLU001
Released: 1997

£4.50

Fuzz Townshend

Format: Vinyl 12 Inch
Genre: Drum & Bass

Hello Darlin

A1 Hello Darlin'
A2 Hello Darlin' (Ardmix)
B1 If I Fell
B2 If I Fell (Instrumental)

Fidelity Lo Records

Cat No: FILO 1T
Released: 1997
Out Of Stock

The Faint

Format: Vinyl 12 Inch
Genre: Drum & Bass

Agenda Suicide (Remixes)

A1 Agenda Suicide (Jagz Kooner Remix)
A2 Agenda Suicide (Jagz Kooner Instrumental Remix)
B Total Job (Photek Remix)


Astralwerks

Cat No: 7243 547106 6 7
Released: 2003

£4.00

The Coalition

Format: Vinyl 12 Inch
Genre: Drum & Bass

Alien Sanctuary / Vibration

A Alien Sanctuary
AA Vibration

Hardleaders

Cat No: HL34
Released: 1999

£5.00

Double Zero (2)

Format: Vinyl 12 Inch
Genre: Drum & Bass

Gangsta Shit / Terminate

A Gangsta Shit (4:56)
AA Terminate (5:53)

Frontline Records

Cat No: FRONT083
Released: 2006

£4.00

DJ SS

Format: Vinyl 12 Inch
Genre: Drum & Bass

Lost In New York (Remix) / Shockwaves

A Lost In New York (Remix)
AA Shockwaves

New Identity Recordings

Cat No: NIR12011
Released: 1999

£5.00

Danny C

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Mexican / Dayz I Live

A The Mexican
AA Dayz I Live

Portica Recordings

Cat No: PORTICA005
Released: 2002

£4.50

Khao

Format: Vinyl 12 Inch
Genre: Drum & Bass

No Compromise

A No Compromise
B1 No Compromise (The Dark-Light Remix By Darkus)
B2 Man

!K7 Records

Cat No: !K7R017EP
Released: 1997

£5.00

Tyke

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Music Makers E.P.Xtra

E Desires Of The Dammed
F The Music Makers

Grid Recordings

Cat No: GRIDUK044X
Released: 2011

£3.00

Various

Format: Vinyl Double 12 Inch
Genre: Drum & Bass

The X Project Pt 3

A Drumsound & Simon "Bassline" Smith Dirty Dancing
B Future Tech Kashmir
C Drumsound & Simon "Bassline" Smith Breakdown (Remix)
D Drumsound & Simon "Bassline" Smith Dragonfly

Technique Recordings

Cat No: TECH015
Released: 2002

£8.00

Un-cut

Format: Vinyl 12 Inch
Genre: Drum & Bass

Midnight

A1 Midnight (4:13)
A2 Midnight (Waiwan Mix) (4:22)
B1 Midnight (MIST 2003 Mix) (6:25)

WEA Records Ltd.

Cat No: UNCUT001
Released: 2003
Out Of Stock

Klute

Format: Vinyl 12 Inch
Genre: Drum & Bass

Part Of Me

A Part Of Me (5:45)
B Part Of Me (Instrumental) (5:46)

Hospital Records

Cat No: NHS47
Released: 2002

£6.00

Moving Fusion

Format: Vinyl 12 Inch
Genre: Drum & Bass

Star Sign / Party People

A Star Sign
AA Party People

RAM Records

Cat No: RAMM 42
Released: 2002

£4.00

Page of 351 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).