1099 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ] |
||
Page of 74 | next >> |
Artist | Title | Label | Price | |
VariousFormat: Vinyl CompilationGenre: Electro |
Beat FreaksA1 D.St. Home Of Hip Hop (4:02)A2 The Last Poets Get Movin' (4:02) A3 Shango Zulu Groove (4:12) A4 Jalaludin M. Nuriddin & D.ST. Mean Machine (4:38) A5 Material For A Few Dollars More (3:50) B1 Time Zone The Wildstyle (4:57) B2 B-Side Change The Beat (3:41) B3 Tribe 2 What I Like (American Dreams) (6:08) B4 D.ST. Megamix 2 (Why Is It Fresh?) (4:53) |
CelluloidCat No: CELL 6120Released: 1986 |
£4.00 |
|
The ConceptFormat: Vinyl 12 InchGenre: Electro |
Mr. D.J.A Mr. D.J. (Vocal) (5:06)B Mr. D.J. (Instrumental) (5:25) |
4th & BroadwayCat No: 12 BRW 40-DJReleased: 1985 |
£5.00 |
|
Trans-LuxFormat: Vinyl 12 InchGenre: Electro |
Big Apple NoiseA Big Apple NoiseB Street Noise |
Malaco RecordsCat No: MAL 1218Released: 1984 |
£6.00 |
|
Richie RichFormat: Vinyl 12 InchGenre: Electro |
My DJ (Pump It Up Some) (Remix)A My DJ (Pump It Up Some) (Remix)B My DJ (Pump It Up Some) (DJ Beats) |
Gee StreetCat No: GEE T7RReleased: 1988 |
£4.00 |
|
Jasper Van't HofFormat: Vinyl AlbumGenre: Electro |
Pili-PiliA1 Kalungu Talks (6:36)A2 Virgin Jungle (6:30) A3 Afro Timento (5:37) B1 Pili-Pili (15:38) B2 Smiling Lingala (4:25) |
Keytone RecordsCat No: KYT 731Released: 1984 |
£10.00 |
|
Paul HardcastleFormat: Vinyl 12 InchGenre: Electro |
Don't Waste My Time (New Extended Version)A Don't Waste My Time (New Extended Version) (5:36)B1 Moonhopper (4:17) B2 Loitering With Intent (4:09) |
ChrysalisCat No: PAULX 1Released: 1986 |
£4.50 |
|
BonkFormat: Vinyl 12 InchGenre: Electro |
Car JamA Car Jam (Electro Jazz Mix)B Car Jam (Electro Jazz Mix) |
EnsignCat No: BONK 1Released: 1983 |
£4.00 |
|
Jean-Michel JarreFormat: Vinyl AlbumGenre: Electro |
Waiting For CousteauA1 Calypso (8:23)A2 Calypso Part 2 (7:10) A3 Calypso Part 3 (Fin De Siècle) (6:29) B Waiting For Cousteau (22:00) |
Disques DreyfusCat No: 843 614-1Released: 1990 |
£15.00 |
|
PricelessFormat: Vinyl 12 InchGenre: Electro |
Freak OutA Freak Out (Original Mix) (6:54)B1 Freak Out (Remix) (6:20) B2 Freak Out (Intro) (1:28) |
Great Stuff RecordingsCat No: GSR 002Released: 2003 |
£5.00 |
|
Paul HardcastleFormat: Vinyl 12 InchGenre: Electro |
19 (Extended Version)A 19 (Extended Version) (5:12)B1 Fly By Night (3:32) B2 Dolores (3:43) |
ChrysalisCat No: CHS 12 2860Released: 1985 |
£5.00 |
|
Paul HardcastleFormat: Vinyl 12 InchGenre: Electro |
19 (The Final Story)A 19 (The Final Story) (8:30)B1 King Tut (U.S. Remix) (5:21) B2 Fly By Night (3:33) |
ChrysalisCat No: CHS 32 2860Released: 1985 |
£5.00 |
|
Earnest HonestFormat: Vinyl 12 InchGenre: Electro |
Scratchattack / ScratchmassA ScratchattackAA Scratchmass |
NovaMuteCat No: 12nomu101Released: 2002 |
£6.00 |
|
Earnest HonestFormat: Vinyl 12 InchGenre: Electro |
Scratchattack / ScratchmassA ScratchattackAA Scratchmass |
NovaMuteCat No: 12nomu101Released: 2002 |
£
|
|
VariousFormat: Vinyl AlbumGenre: Electro |
Crew CutsA1 Malcolm X No Sell OutA2 Warp 9 Beatwave A3 Junie Morrison Techno-Freqs B1 The Art Of Noise Beatbox B2 D.St. Crazy Cuts B3 Nuance & Vikki Love Take A Chance |
Island RecordsCat No: IMA 11Released: 1984 |
£4.00 |
|
VariousFormat: Vinyl CompilationGenre: Electro |
Beat Street (Original Motion Picture Soundtrack) - Vol 1A1 Grandmaster Melle Mel & The Furious Five Beat Street Breakdown (6:48)A2 The System Baptize The Beat (4:25) A3 Jenny Burton & Patrick Jude Strangers In A Strange World (Love Theme From Beat Street) (4:25) A4 Afrika Bambaataa & Soulsonic Force & Shango Frantic Situation (5:04) B1 Juicy Beat Street Strut (5:00) B2 Sharon Green & Lisa Counts & Debbie D Us Girls (3:52) B3 Cindy Mizelle This Could Be The Night (4:53) B4 Arthur Baker Breaker's Revenge (4:42) B5 Ruben Blades Tú Cariño/Carmen's Theme (3:06) |
AtlanticCat No: 780 154-1Released: 1984 |
£4.00 |
Page of 74 | next >> |
Information on the Electro genre
Electro (electro-funk, dance or electro-boogie) is a genre of electronic music directly influenced by the use of TR-808 and funk records. Records in the genre typically have electronic sounds and some vocals are delivered in a deadpan, mechanical manner, often through a vocoder or other electronic distortion.From its origins, the definition of the electro sound is the use of drum machines as the rhythmic base of a track; however as the style has evolved, and with the advent of computer usage in electronic music, the use of drum machines has become less and less practical and widespread. Electro drum patterns tend to be electronic emulations of breakbeats, with kick drums, and usually a snare or clap accenting the downbeat. The difference between electro drumbeats and breakbeats (or breaks) is that electro tends to be more mechanical, while breakbeats tend to have more of a human-like feel, like that of a live drummer. The definition however is somewhat ambiguous in nature due to the various use of the term.
Staccato, percussive drumbeats tend to dominate electro; with beats once mostly provided by the Roland TR-808 drum machine, the advent of computers in electronic music has outdated this old school method and are now used by the majority of electro producers the world over. The TR-808, created in 1980, has an immediately recognizable sound, and through the use of samples remains somewhat popular in electro and other genres to the present day. Other electro instrumentation is generally all-electronic, favoring analog synthesis, bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with eerie synthetic ensemble strings or pad sounds emphasize the common science fiction or futuristic theme of the lyrics and/or music. Most electro is instrumental, but a common element is vocals processed through a vocoder. Additionally, speech synthesis may be used to create robotic or mechanical lyrical content. Some earlier electro features rapping, but that lyrical style has become less popular in the genre from the 1990s onward.