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  Artist Title Label Price

Monument

Format: Vinyl Double 12 Inch
Genre: House

Just For One Night

A Just For One Night (Tony De Vit Remix)
B1 Just For One Night (Love To Infinity Mix)
B2 Just For One Night (Love To Infinity Dub)
C Just For One Night (Gems For Jem Remix)
D Just For One Night (Gems For Jem Dub)

Not On Label

Cat No: MON 121

£5.00

Rhythm Quest

Format: Vinyl 12 Inch
Genre: House

Place Of Joy

A Place Of Joy (Love Is A Drug Mix)
B The Wail Song (Strictly Developed - The Development Corporation Mix)

Network Records

Cat No: NWKT 71 DJ
Released: 1993

£6.00

Meeker

Format: Vinyl 12 Inch
Genre: House

Let's Come Together

A1 Let's Come Together (Yousef's 10,000 BC "Don't Be Shy" Dub) (6:10)
A2 Let's Come Together (Scanty's Mix) (6:56)
B1 Let's Come Together (Dave Chambers - Cienna Remix) (6:13)
B2 Let's Come Together (Meeker Original Mix) (3:15)

Underwater Records

Cat No: H2O 012

£6.00

Bebel Gilberto

Format: Vinyl 12 Inch
Genre: House

So Nice

A1 So Nice (Terrace Mix) (6:12)
A2 So Nice (We Love...Mix) (4:00)
B So Nice (Inner Space Dub) (8:10)

(supplied by Decman)

Ziriguiboom

Cat No: BEBEL02

£6.00

Poppers & Aura

Format: Vinyl 12 Inch
Genre: House

Every Little Time

A1 Every Little Time (Poppers Original Vocal Mix) (8:16)
A2 Every Little Time (Poppers Underground Mix) (8:35)
B1 Every Little Time (Poppers Stripped Down Mix) (7:48)
B2 Every Little Time (Poppers Original Instrumental Mix) (8:14)

Byte Blue

Cat No: BB 039708-12
Released: 1997

£4.00

Brand New Heavies, The

Format: Vinyl 12 Inch
Genre: House

Dream On Dreamer

A1 Dream On Dreamer (Morales Extended-UK Version) (8:30)
A2 Dream On Dreamer (Bad Yard Dub Part 1) (6:23)
B1 Dream On Dreamer (T-Empo Club Mix) (7:30)
B2 Dream On Dreamer (T-Empo Dub Mix) (7:30)

FFRR

Cat No: BNHX 3
Released: 1994

£6.00

Liz Torres & Master C & J

Format: Vinyl 12 Inch
Genre: House

Touch Of Love

A1 Touch Of Love (Club Mix)
A2 Touch Of Love (Radio Mix)
B1 Touch Of Love (Club Dub Mix)
B2 Touch Of Love (Dub Edit)

Black Market Records

Cat No: B.L.M.K. 004
Released: 1988

£4.00

Arthur Baker And The Backbeat Disciples

Format: Vinyl 12 Inch
Genre: House

Last Thing On My Mind / Silly Games

A1 Last Thing On My Mind
A2 Silly Games (Hacienda Club Mix)
B1 Silly Games (Bonesbreak Club Mix)
B2 Silly Games (Bonesbreak Dub Mix)

Breakout

Cat No: USAT 678
Released: 1990

£5.00

Morris T & Taka Boom

Format: Vinyl 12 Inch
Genre: House

The Third Pleasure

A The Third Pleasure (Starchaser Mix) (6:12)
B1 The Third Pleasure (Nowheremans Everywhere Mix) (6:43)
B2 The Third Pleasure (Da Lukas Mix) (7:30)

suSU

Cat No: DJSUSU03
Released: 2001

£4.00

Double Trouble

Format: Vinyl 12 Inch
Genre: House

Love Don't Live Here Anymore

A1 Love Don't Live Here Anymore (Club Mix)
A2 Love Don't Live Here Anymore (Back To Bassics Mix)
B Do Your Thing

Desire Records

Cat No: WANT X 32
Released: 1990

£4.00

U.M.I.

Format: Vinyl 12 Inch
Genre: House

House Is

A1 House Is (Main Room Mix)
A2 House Is (Pleasure Room Mix)
B1 House Is (Full Mix)
B2 House Is (Last Time)

D:vision Records

Cat No: DV 087
Released: 1994

£5.00

Sarah Washington

Format: Vinyl 12 Inch
Genre: House

Everything (A&G / Mood II Swing Mixes)

A1 Everything (A & G Full Testament Mix) (10:43)
AA1 Everything (Mood II Swing Club Mix) (7:25)
AA2 Everything (Mood II Swing Club Dub) (6:12)

AM:PM

Cat No: 581 887-1
Released: 1996

£6.00

Sarah Washington

Format: Vinyl 12 Inch
Genre: House

Everything

A Everything (A & G Full Testament Mix)
B1 Everything (Mood II Swing Club Mix)
B2 Everything (Mood II Swing Club Dub)

AM:PM

Cat No: 581 887-1

£6.00

Funky Choad

Format: Vinyl 12 Inch
Genre: House

The Ultimate

A1 The Ultimate (Choad Extended Mix)
A2 The Ultimate (Tall Paul Remix)
B The Ultimate (Tall Paul Bassline Remix)

FFRR

Cat No: FX 341
Released: 1998

£6.00
£3.00

Pearn&Campbell

Format: Vinyl 12 Inch
Genre: House

Reach

A Reach (Stonebridge Club Mix)
B1 Reach (Stoney Delights Dub)
B2 Reach (Original Dub)

Essence Records

Cat No: esr014
Released: 2003

£6.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.