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  Artist Title Label Price

Lock&Burns

Format: Vinyl 12 Inch
Genre: House

Dance To The Music

A Dance To The Music

Not On Label

Cat No: LOCK3

£6.00

Daniel Magg

Format: Vinyl 12 Inch
Genre: House

Set For Seizure

A1 Set For Seizure (Anthony Nicholson Miquifaye Mix)
A2 Set For Seizure (Original)
B1 Set For Seizure (Wagon Cookin' Remix)
B2 Set For Seizure (Ennio Styles Remix)

Compost Records

Cat No: COMPOST 129-1
Released: 2003

£7.00

TC 1993

Format: Vinyl 12 Inch
Genre: House

Harmony

A1 Harmony (FPI Funky Mix) (5:00)
A2 Harmony (Understand Mix) (4:20)
B1 Harmony (The Train Mix) (4:10)
B2 Harmony (Harmony Mix) (4:40)

Paradise Project Records

Cat No: PPR 025
Released: 1993

£7.00
£3.50

Stefano Secchi & Orlando Johnson

Format: Vinyl 12 Inch
Genre: House

I Say Yeah

A I Say Yeah (Bruce Forest\'s Long Mix) (8:46)
B1 Flute On (Voice On) (5:03)
B2 I Say Yeah (Bruce Forest\'s Incessant Mix) (6:00)

Epic

Cat No: 656846 6
Released: 1991

£4.00

Yosh & Lovedeejay Akemi

Format: Vinyl 12 Inch
Genre: House

It's What's Upfront That Counts

A Upfront (Extended Mix)
AA1 Upfront (Lovedeejay's Killer Dub)
AA2 Don't Knock The Rox

Limbo Records

Cat No: LIMB 46T
Released: 1995

£6.00
£3.00

Original, The

Format: Vinyl 12 Inch
Genre: House

I Luv U Baby (Remix)

A1 I Luv U Baby (Dancing Divaz Club Mix) (6:44)
A2 I Luv U Baby (Yosh [Lovedeejay Akemi] Mix) (5:29)
B1 I Luv U Baby (No Swing Mix) (7:18)
B2 I Luv U Baby (Roc&Kato vs. W.T.&Pippi) (7:44)

Ore Music

Cat No: AgR 8
Released: 1995

£6.00

B & H

Format: Vinyl 12 Inch
Genre: House

Keep It Up

A Keep It Up

White Label

Cat No: booty01

£5.00

Photek

Format: Vinyl 12 Inch
Genre: House

Mine To Give

A Mine To Give (6:41)
B Mine To Give (David Morales World Mix) (11:00)

Science

Cat No: QEDT 10
Released: 2001

£6.00

Benefit

Format: Vinyl 12 Inch
Genre: House

What's It Gonna Be

A What's It Gonna Be (Stella Browne Vocal Mix) (8:02)
B What's It Gonna Be (Stella Browne Dub Mix) (8:18)

Edel

Cat No: 0141910 EREP
Released: 2002

£2.00

Mero

Format: Vinyl 12 Inch
Genre: House

It Must Be Love

A1 It Must Be Love (Paul Mastersons Club Mix)
2 It Must Be Love (Extended Mix)
3 It Must Be Love (Radio Edit)

BMG

Cat No: CLUB MERO 1
Released: 1999

£4.50

The Brand New Heavies

Format: Vinyl 12 Inch
Genre: House

Dream On Dreamer

A1 Dream On Dreamer (Angel Extended Mix) (5:50)
A2 Dream On Dreamer (Bad Yard Dub Part 2) (6:55)
B1 Dream On Dreamer (Heavies Motion Mix) (8:35)
B2 Dream On Dreamer (New Degree Vocal Dub) (6:37)

FFRR

Cat No: BNHXR 3
Released: 1994

£4.50

The Brand New Heavies

Format: Vinyl 12 Inch
Genre: House

Dream On Dreamer

A1 Dream On Dreamer (Angel Extended Mix) (5:50)
A2 Dream On Dreamer (Bad Yard Dub Part 2) (6:55)
B1 Dream On Dreamer (Heavies Motion Mix) (8:35)
B2 Dream On Dreamer (New Degree Vocal Dub) (6:37)

FFRR

Cat No: BNHXR 3
Released: 1994

£4.50

Pentaura

Format: Vinyl 12 Inch
Genre: House

Ulma Gets To Linger

A Ulma Gets To Linger (8:30)
B Ulma Gets To Linger (Pentatonik Mix) (6:55)

Infectious Records

Cat No: INFECT 23T
Released: 1995
Out Of Stock

Various

Format: Vinyl Compilation
Genre: House

Thin Ice: The First Step

A1 The Source You Got The Love (Eren's Bootleg Mix) (5:20)
A2 Xpansions Move Your Body (4:46)
A3 True Faith Take Me Away (3:56)
A4 Collapse My Love (Atmosphera Mix) (4:55)
A5 Soho (2) Hippychick (Happiness Is A Warm Hippy - Original S.G. Mix) (4:27)
A6 Kenny Larkin Integration (4:46)
A7 XON Midnight Express (4:25)
B1 Nomad (I Wanna Give You) Devotion (5:40)
B2 Digital Underground Same Song (5:32)
B3 A Tribe Called Quest Can I Kick It? (Extended Boilerhouse Mix) (5:08)
B4 Dee Dee Brave My My Lover (Kaoz Again Mix) (5:40)
B5 Energise Report To The Dance Floor (Robert Gordon Hi-Tech Remix) (5:07)
B6 Loopzone Les Enfants Du Paradis (5:00)
C1 808 State In Yer Face (In Yer Face Mix) (5:06)
C2 Seal Krazy (12" Club Mix) (5:08)
C3 Katherine E I'm Alright (5:32)
C4 The Beatmasters Dunno What It Is (About You) (5:16)
C5 Just Add Water Mystic Sister (Main 12" Mix) (5:05)
C6 Lost The Gonzo (5:08)
D1 Mark Summers Summers Magic (4:16)
D2 Stress (6) Beautiful People (Beautiful Breakdown Mix) (4:20)
D3 4 Hero Scorcher (4:52)
D4 Liquid Oxygen I See The Madness (Bonesbreak Mastermix) (4:43)
D5 Speedy J The Wicked Saw (4:34)
D6 Boneshakers One Step Ahead (B.IDD Mix) (4:09)
D7 DJ Dick Weekend (4:57)

Telstar

Cat No: STAR 2500
Released: 1991

£5.00

American French Machine

Format: Vinyl 12 Inch
Genre: House

Frenchy Lover

A Frenchy Lover (Sgt Slick's Vocodub) (7:54)
B1 Frenchy Lover (Club Mix) (4:40)
B2 Frenchy Lover (Power-Play Mix) (4:48)

Tinted Records

Cat No: TINT 064
Released: 2003

£3.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.