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  Artist Title Label Price

H2O & Billie

Format: Vinyl 12 Inch
Genre: Progressive

Nobody's Business (Original / Sharp / Deep Zone Mixes)

A1 Nobody's Business (Euro Vocal) (6:42)
A2 Nobody's Business (Sharp Extended Vocal Remix) (7:31)
AA1 Nobody's Business (Deep Zone Club Mix) (7:29)
AA2 Nobody's Business (Bees Wax Dub) (7:28)

AM:PM

Cat No: 581 883-1
Released: 1996

£3.00

Amos

Format: Vinyl 12 Inch
Genre: Progressive

Let Love Shine

A1 Let Love Shine (Cleveland City Vocal Mix) (5:50)
A2 Let Love Shine (Cleveland City Dub) (7:05)
AA1 Let Love Shine (Clubzone Vocal Mix) (6:15)
AA2 Let Love Shine (The Redemption Dub) (5:37)

Positiva

Cat No: 12TIV-24
Released: 1995

£4.00

Disscode

Format: Vinyl 12 Inch
Genre: Progressive

I Want You Boy

A1 I Want You Boy
A2 I Want You Boy (Bingo Bango Bongo Collective Rmx)
B1 I Want You Boy (Funky Disco & Nu Groove Rmx)
B2 (Your Mix Delight) Wizz Jingle!
B3 I Want You Boy (Hard 2 Dance Rmx)

Wizz Records

Cat No: WIZZ 13
Released: 1994

£3.00

Timo Maas

Format: Vinyl 12 Inch
Genre: Progressive

Eclipse / Shadow Lounge

A Eclipse
B Shadow Lounge

Bush

Cat No: Bush1071
Released: 1999

£6.00
£3.00

Piliavin & Zimbardo

Format: Vinyl 12 Inch
Genre: Progressive

Zimbardo's Theme

A Zimbardo's Theme (8:48)
B Don't Stop (7:24)

Honchos Music

Cat No: HM012
Released: 2002

£5.00

King Of Spin

Format: Vinyl 12 Inch
Genre: Progressive

Sleeper

A Sleeper
B Sleeper (Dub)

Ronster Records

Cat No: RON 002
Released: 2001

£6.00

Future Force

Format: Vinyl 12 Inch
Genre: Progressive

Puttin' A Rush On Me

A1 Puttin' A Rush On Me (A&G Full Vocal Mix)
Remix - A & G Division
A2 Puttin' A Rush On Me (A&G Great Divide Dub)
Remix - A & G Division
B What You Want (Fade Mix)
Remix - Fade

(supplied by Decman)

AM:PM

Cat No: 582 173-1

£7.00

Paradise Organisation

Format: Vinyl 12 Inch
Genre: Progressive

Prayer Tower

A1 Prayer Tower (Full Circle Mix)
Remix, Producer [Additional Production] – Phil Perry
AA1 Prayer Tower (Electric Pig Mix)
Engineer – Jagz & Gary Burns
Remix, Producer [Additional Production] – Phil Perry
AA2 Prayer Tower (Album Version)
Producer, Mixed By, Engineer – David Yowell*

Cowboy Records

Cat No: RODEO 13
Released: 2001

£5.00

Well Hung Parliament

Format: Vinyl 12 Inch
Genre: Progressive

We Can Be

A We Can Be (Club Mix)
AA1 We Can Be (Underground Mix)
AA2 We Can Be (S1000 Mix)

Cowboy Records

Cat No: RODEO 7
Released: 1992

£5.00

Soul Driver

Format: Vinyl 12 Inch
Genre: Progressive

Darknoize

A Darknoize
AA South Coast Groove

Rotunda Records

Cat No: RR008
Released: 2001

£6.00

Various

Format: Vinyl Double 10 Inch
Genre: Progressive

The Green EP

A Yekuana Ethnic Loopus
B Beat Foundation Give Me Shelter
C Rumpus Hypnotize
D Life According To Bozo Groove Melon

Skinnymalinky Records

Cat No: SMR00596
Released: 1996

£8.00

Futureshock

Format: Vinyl 12 Inch
Genre: Progressive

Pride's Paranoia

A Pride's Paranoia (Marco V Remix) (7:05)
B Pride's Paranoia (Eric Prydz Remix) (7:35)

EMI

Cat No: 7243 5 48391 6 0
Released: 2004

£4.00

Beautiful People

Format: Vinyl 12 Inch
Genre: Progressive

If 60's Were 90's

A1 If 60's Were 90's (Can-Can Mix)
A2 If 60's Were 90's (52 West 8th Mix)
B1 If 60's Were 90's (Ripe Mix)
B2 If 60's Were 90's (Vibe Sauce Mix)

Essential

Cat No: ESST 2037
Released: 1994

£4.00

Glam

Format: Vinyl 12 Inch
Genre: Progressive

Hell's Party

This Side (Italy)
A1 Hell's Party (Original Club Mix)
A2 Hell's Party (Herbie's Remix)
A3 Hell's Party (Disco Ital Mix)
That Side (UK)
B1 Hell's Party (Bump Club Mix)
B2 Hell's Party (Bump House Dub)
B3 Hell's Party (Bump Dub)

6 x 6 Records

Cat No: SixT001
Released: 1993

£5.00

Lighthouse Family

Format: Vinyl Double 12 Inch
Genre: Progressive

Happy

A Happy (Rui Da Silva Vocal Mix) (7:07)
B Happy (Rui Da Silva Dub Mix) (8:51)
C Happy (Liquid People Club Mix) (7:23)
D Happy (Liquid People Dub Mix) (7:23)

Wildcard

Cat No: HAPPY3
Released: 2002

£6.50

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Information on the Progressive genre

Progressive house is a style of house music that is noted for musical progression within melodies and basslines. The term was coined by Mixmag editor Dom Phillips. It has similar elements to both electro-house and trance. It has its origins in Great Britain in the early 1990s, with the output of Guerilla Records and Leftfield's first singles (particularly "Song of Life"). The music itself was produced with the 4-to-4 beat of house music and deeper dub-influenced basslines, with greater emphasis on emotion before structural considerations. Often, it featured elements from many different genres mixed together. Song of Life, for instance, has a trip-hop like down-pitched breakbeat and a high-energy Roland TB-303 riff at various stages.

In 1992, the dance club Renaissance opened in Mansfield where DJs Sasha and John Digweed were instrumental in popularizing its early sound. Other notable Progressive House DJs and producers include: Nathan Fake, James Holden, Dave Seaman, Nick Warren, Jason Jollins, Hernan Cattaneo, Danny Howells, Anthony Pappa, and Deadmau5. Notable active progressive house labels include Baroque Records, Bedrock Records, Renaissance, Audiotherapy, Global Underground and Source of Gravity.

Progressive trance is a popular sub-genre in trance music and contains elements of house, techno, and ambient music. By the late 1990s, trance became more focused on the anthemic qualities and melodies, moving away from arpeggiated analog synth patterns. Acoustic elements and spacey pads became popular with compositions leaned towards incremental changes à la progressive structures. Progressive trance contains distinctive sounds in many tracks, such as unusual basslines or original synthesized sounds, which generally makes it more "catchy". Phrases are usually a power of two number of bars in most typical progressive trance tracks. Phrases usually begin with the introduction of a new or different melody or rhythm.

Compared to trance, the progressive wing is usually deeper and more abstract, featuring a lower average bpm (around 125-135 instead of 130-160) and a recurrent melodic structure. This structure is intuitively described as consisting of three major structural elements: build-up; breakdown ; climax. These three structural elements are expressed either temporally or in their intensity, if not both. A 'build-up' sequence can sometimes last up to 3 or even 4 minutes. Subtle incremental/decremental acoustic variations (i.e., gradual addition/subtraction of instruments) anticipate the transition to each subsequent structural element of the track. The initial build-up and the final break-down are generally very similar, adding a feel of symmetry to the general structure of the melody. Furthermore, a progressive trance track is usually longer than a regular trance track, ranging in length from 5-6 to even 12–13 minutes.

Although there is a general and increasing tendency to associate progressive trance with progressive house (or vice-versa), virtually rendering these two sub-genres identical, there are however distinctive characteristics apart from the strong similitudes between them: progressive trance inherits from its parent genre (trance) a wider melodic flexibility, while progressive house is usually darker and more minimal.

Some of the most representative names that currently work in this sub-genre are Laurent Veronnez, Sasha, Mike Dierickx, Matt Darey, Vibrasphere, Armin van Buuren, Brian Transeau (aka BT), Christopher Lawrence and more recently, Markus Schulz.