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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Soul & Funk

Strawberry Boy

A Strawberry Boy
B Strawberry Boy (Mafia&Fluxy Remix)

Virgin Records

Cat No: VST 1453
Released: 1993


Shirley Bassey

Format: Vinyl Album
Genre: Soul & Funk

The Magic Is You

A1 This Is My Life (4:52)
A2 Better Off Alone (3:38)
A3 You Never Done It Like That (3:09)
A4 Don't Cry For Me Argentina (4:11)
A5 As We Fall In Love Once More (4:11)
B1 Night Moves (3:15)
B2 Anyone Who Had A Heart (3:25)
B3 The Magic Is You (3:44)
B4 How Insensitive (3:00)
B5 The Greatest Love Of All (4:49)

United Artists Records

Cat No: UATV 30230
Released: 1979



Format: Vinyl Compilation
Genre: Soul & Funk

Soul Motion

A1 The Real Thing You To Me Are Everything
A2 Barry White You're The First, The Last, My Everything
A3 LaBelle Lady Marmalade
A4 Linda Lewis It's In His Kiss
A6 Silver Convention Get Up And Boogie
A7 Johnnie Taylor Disco Lady
A8 The Tymes Ms Grace
A9 Melba Moore This Is It
A10 KC & The Sunshine Band That's The Way I Like It
B1 The Three Degrees When Will I See You Again
B2 Andrea True Connection More, More, More
B3 First Choice Armed And Extremely Dangerous
B4 The Delfonics Didn't I Blow Your Mind
B5 Billy Paul Me And Mrs Jones
B6 Minnie Riperton Lovin' You
B7 Eddie Drennon Let's Do The Latin Hustle
B8 The Fatback Band Bus Stop
B9 Harold Melvin And The Blue Notes Wake Up, Everybody
B10 The O'Jays Lovetrain


Cat No: NE930
Released: 1976


Shirley Bassey

Format: Vinyl Album
Genre: Soul & Funk


A1 My Melancholy Baby (2:50)
A2 I'm In The Mood For Love (3:31)
A3 I've Got You Under My Skin (3:14)
A4 Time After Time (3:11)
A5 Don't Get Around Much Anymore (2:48)
A6 There I've Said It Again (2:35)
B1 You Made Me Love You (2:56)
B2 Over The Rainbow (4:03)
B3 Taking A Chance On Love (2:19)
B4 As Time Goes By (3:30)
B5 I Only Have Eyes For You (2:57)
B6 Love Is Here To Stay (3:06)

United Artists Records

Cat No: UAS 30141
Released: 1978


Lionel Richie

Format: Vinyl Album
Genre: Soul & Funk

Can't Slow Down

A1 Can't Slow Down (4:42)
A2 All Night Long (All Night) (6:22)
A3 Penny Lover (5:30)
A4 Stuck On You (3:10)
B1 Love Will Find A Way (6:12)
B2 The Only One (4:15)
B3 Running With The Night (5:55)
B4 Hello (4:07)


Cat No: STMA 8041
Released: 1983


Joan Armatrading

Format: Vinyl Album
Genre: Soul & Funk

Walk Under Ladders

A1 I'm Lucky (3:04)
A2 When I Get It Right (3:02)
A3 Romancers (3:49)
A4 I Wanna Hold You (3:47)
A5 The Weakness In Me (3:32)
B1 No Love (4:00)
B2 At The Hop (3:26)
B3 I Can't Lie To Myself (3:23)
B4 Eating The Bear (2:59)
B5 Only One (4:13)

A&M Records

Cat No: AMLH 64876
Released: 1981


George Benson

Format: Vinyl Album
Genre: Soul & Funk

In Your Eyes

A1 Feel Like Making Love (4:22)
A2 Inside Love (So Personal) (5:13)
A3 Lady Love Me (One More Time) (3:59)
A4 Love Will Come Again (5:42)
B1 In Your Eyes (3:16)
B2 Never Too Far To Fall (4:00)
B3 Being With You (3:52)
B4 Use Me (4:22)
B5 Late At Night (3:29)
B6 In Search Of A Dream (4:58)

Warner Bros. Records

Cat No: 92-3744-1
Released: 1983


Simon & Garfunkel

Format: Vinyl Album
Genre: Soul & Funk

The Simon And Garfunkel Collection

A1 I Am A Rock (2:49)
A2 Homeward Bound (2:26)
A3 America (3:28)
A4 59th St. Bridge Song (Feelin' Groovy) (1:42)
A5 Wednesday Morning 3 A.M. (2:11)
A6 El Condor Pasa (3:05)
A7 At The Zoo (2:17)
A8 Scarborough Fair (Canticle) (3:07)
A9 The Boxer (5:08)
B1 Sound Of Silence (3:03)
B2 Mrs. Robinson (3:55)
B3 Keep The Customer Satisfied (2:33)
B4 Song For The Asking (1:41)
B5 Hazy Shade Of Winter (2:17)
B6 Cecilia (2:53)
B7 Old Friends, Bookends Theme (3:54)
B8 Bridge Over Troubled Water (4:50)


Cat No: 10029
Released: 1981


Phil Collins

Format: Vinyl Album
Genre: Soul & Funk

Face Value

A1 In The Air Tonight (5:27)
A2 This Must Be Love (3:55)
A3 Behind The Lines (3:54)
A4 The Roof Is Leaking (3:15)
A5 Droned (2:49)
A6 Hand In Hand (5:20)
B1 I Missed Again (3:40)
B2 You Know What I Mean (2:33)
B3 Thunder And Lightning (4:11)
B4 I'm Not Moving (2:30)
B5 If Leaving Me Is Easy (4:54)
B6 Tomorrow Never Knows (4:18)
B7 Over The Rainbow


Cat No: V2185
Released: 1981
Out Of Stock


Format: Vinyl Compilation
Genre: Soul & Funk

Flashdance (Original Soundtrack From The Motion Picture)

A1 Irene Cara Flashdance... What A Feeling
A2 Shandi Sinnamon He's A Dream
A3 Helen St. John Love Theme From Flashdance
A4 Karen Kamon Manhunt
A5 Joe Esposito Lady, Lady, Lady
B1 Laura Branigan Imagination
B2 Donna Summer Romeo
B3 Cycle V Seduce Me Tonight
B4 Kim Carnes I'll Be Here Where The Heart Is
B5 Michael Sembello Maniac


Cat No: CANH 5
Released: 1983



Format: Vinyl Album
Genre: Soul & Funk

Diamond Life

A1 Smooth Operator (4:58)
A2 Your Love Is King (3:40)
A3 Hang On To Your Love (5:54)
A4 Frankie's First Affair (4:38)
A5 When Am I Going To Make A Living (3:25)
B1 Cherry Pie (6:20)
B2 Sally (5:20)
B3 I Will Be Your Friend (4:43)
B4 Why Can't We Live Together (5:27)


Cat No: EPC 26044
Released: 1984


The Real Thing

Format: Vinyl 12 Inch
Genre: Soul & Funk

You To Me Are Everything (The Decade Remix 76-86)

A1 You To Me Are Everything (The Decade Remix '76-'86) (Extended Version)
A2 Untitled
A3 Untitled
A4 Untitled
B1 Foot Tappin' (Extended Version)
B2 Children Of The Ghetto (Original '78 Vintage Version)


Cat No: 12P 349
Released: 1986


Rose Royce

Format: Vinyl Album
Genre: Soul & Funk

Strikes Again

A1 Get Up Off Your Fat (4:35)
A2 Do It, Do It (4:09)
A3 I'm In Love (And I Love The Feeling) (3:41)
A4 First Come, First Serve (3:19)
A5 Love Don't Live Here Anymore (3:55)
B1 Angel In The Sky (4:56)
B2 Help (3:53)
B3 Let Me Be The First To Know (3:52)
B4 That's What's Wrong With Me (6:37)

Whitfield Records

Cat No: WHK 3227
Released: 1978


Gary Toms Empire

Format: Vinyl Album
Genre: Soul & Funk

7-6-5-4-3-2-1 Blow Your Whistle

A1 7-6-5-4-3-2-1 (Blow Your Whistle) (5:08)
A2 Slow & Funky (4:17)
A3 Tell The People (5:15)
A4 Do Your Thing (2:52)
A5 Jubilation (Excitation) (4:07)
B1 Drive My Car (3:07)
B2 This Crazy World (4:04)
B3 You Are The One For Me (3:25)
B4 Feel That Funky Groove (4:29)
B5 Love Me Right (2:58)
B6 The New Empire (3:51)

P.I.P. Records

Cat No: PIP 6814
Released: 1975


The Ink Spots

Format: Vinyl Album
Genre: Soul & Funk

Golden Greats

A1 If I Didn't Care
A2 When The Swallows Come Back To Capistrano
A3 Whispering Grass
A4 Java Jive
A5 Do I Worry
A6 I Don't Want To Set The World On Fire
A7 Don't Get Around Much Anymore
A8 To Each His Own
A9 I'll Never Smile Again
A10 It's A Sin To Tell A Lie
B1 Someone's Rocking My Dreamboat
B2 We Three
B3 My Prayer
B4 Until The Real Thing Comes Along
B5 No Orchids For My Lady
B6 The Gypsy
B7 I'll Get By
B8 Maybe
B9 You Were Only Fooling
B10 We'll Meet Again

MCA Records

Cat No: MCM 5029
Released: 1985


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Information on the Soul & Funk genre

Funk is an American music genre that originated in the late 1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing it from R&B and soul songs centered around chord progressions.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits".


From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and The Gang, Ohio Players and Earth, Wind and Fire were making disco-influenced funk music.


In the 1970s and early 1980s, a new group of musicians further developed the "funk rock" approach innovated by George Clinton, with his main bands Parliament and, later, Funkadelic. Together, they produced a new kind of funk sound heavily influenced by jazz and psychedelic rock. The two groups had members in common and often are referred to collectively as "Parliament-Funkadelic." The breakout popularity of Parliament-Funkadelic gave rise to the term "P-Funk," which referred to the music by George Clinton's bands, and defined a new subgenre.
"P-funk" also came to mean something in its quintessence, of superior quality, or sui generis, as in the lyrics from "P-Funk (Wants to Get Funked Up)" a hit single from Parliament's album "Mothership Connection":

Funk rock

Funk rock (also written as funk-rock or funk/rock) fuses funk and rock elements. Its earliest incarnation was heard in the late '60s through the mid-'70's by musicians such as Jimi Hendrix, Frank Zappa, Herbie Hancock, Gary Wright, David Bowie, as well as Mother's Finest, and Funkadelic on their earlier albums.

Many instruments may be incorporated into funk-rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion. Prince, Jesse Johnson, and Fishbone are major artists in funk rock.

Electro music

Electro music is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders are often used. Early artists include Herbie Hancock, Zapp (band), Afrika Bambaataa and Vaughn Mason & Crew.


Funkcore is a fusion of hardcore punk and funk created in the 1980s. Hard, loud and fast guitars are featured, but unlike in most rock music, it does not overpower the bass, which is heavy and driving. Drums are often funk-influenced, but with intense hardcore-styled pounding. Synthesizers or horn sections sometimes make an appearance, although they are not integral. Examples of funkcore bands are Jungle Fever, Adequate Seven, Dance Gavin Dance and Big Boys.


Punk-funk (or funk-punk) is a mix of punk or post-punk songs with funk elements, very similar to dance-punk. Some times, the punk influence is replaced by an alternative rock influence. The first appearance of this subgenre was in 1979, when Gang Of Four released their debut album, Entertainment!. In the 1980s, bands such as made punk-funk become more famous. The style was revitalized by "The New New York Underground Scene", starting to mix their usual punk-funk with house, dub and hip-hop.

Funk metal

Funk metal (sometimes typeset differently such as funk-metal) is a fusion genre of music which emerged in the 1980s. It typically incorporates elements of funk and heavy metal. It features hard-driving heavy metal guitar riffs, the pounding bass rhythms characteristic of funk, and sometimes hip hop-style rhymes into an alternative rock approach to songwriting.


G-Funk is a fusion genre of music which combines gangsta rap and funk. It is generally considered to have been invented by Dr.Dre.

Funk jam

Funk jam is a fusion genre of music which emerged in the 2000s. It typically incorporates elements of funk and often exploratory guitar, along with extended cross genre improvisations; often including elements of jazz, ambient, electronic, americana, and hip hop including improvised lyrics.

Christian funk

Christian funk is not as prominent as other forms of Christian music. However, TobyMac, one of Christian music's most recognized artists, integrates funk into many of his songs such as "Feelin' So Fly" and "Funky Jesus Music", his new single. Also, "Toddy Funk", a member of the Diverse City Band, is a huge fan of funk and, therefore, their music shows it.

Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying.


Detroit (Motown) soul

Dominated by Berry Gordy's Motown Records empire, Detroit soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping, a powerful bass line, violins and bells. Motown Records' house band was The Funk Brothers.

Deep soul and southern soul

The terms deep soul and southern soul generally refer to a driving, energetic soul style combining R&B's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee label Stax Records nurtured a distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T and the MGs (with Booker T. Jones, Steve Cropper, Duck Dunn, and Al Jackson) and the Memphis Horns (the splinter horn section of the Mar-Keys).

Memphis soul

Memphis soul is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee. It featured melancholic and melodic horns, organ, bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s. The latter group also sometimes played in the harder-edged Southern soul style. The Hi Records house band (Hi Rhythm Section) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style, but had their own unique sound.

New Orleans soul

The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard, Fats Domino, and Huey Piano Smith made a huge impact on the pop and R&B charts and a huge directly influence for the birth of the Funk music . The principal architect of Crescent City’s soul was songwriter, arranger, and producer Allen Toussaint. He worked with such artists as Irma Thomas (“the Soul Queen of New Orleans”), Jessie Hill, Kris Kenner, Benny Spellman, and Ernie K. Doe on the Minit/Instant label complex to produced a distinctive New Orleans soul sound generating a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris, and Aaron Neville. While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York and Los Angeles record labels—notably Lee Dorsey for New York–based Amy Records and the Meters for New York–based Josie and then LA-based Reprise.

Chicago soul

Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records, which lasted until 1966, produced recordings by Jerry Butler, Betty Everett, Dee Clark, and Gene Chandler. Chess Records, mainly a blues and rock and roll label, produced a number of major soul artists. Mayfield not only scored many hits with his group, the The Impressions, but wrote many hit songs for Chicago artists and produced hits on his own labels for The Fascinations and the Five Stairsteps.

Philadelphia soul

Psychedelic soul was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later.

Blue-eyed soul

Blue-eyed soul is a term used to describe R&B or soul music performed by white artists. The term doesn't refer to a distinct style of music, and the meaning of blue-eyed soul has evolved over decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records. The term continued to be used in the 1970s and 1980s, particularly by the British media to describe a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music.

British soul

Soul has been a major influence on British popular music since the 1960s including bands of the British Invasion, most significantly The Beatles.[5] There were a handful of significant British Blue-eyed soul acts, including Dusty Springfield and Tom Jones. American soul was extremely popular among some youth sub-cultures like the Northern soul and Modern soul movements, but a clear genre of British soul did not emerge until the 1980s when a number of artists including George Michael, Sade, Simply Red, Lisa Stansfield and Soul II Soul enjoyed some commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse, Estelle, Joss Stone and Leona Lewis led to talk of a third British Invasion or soul invasion in the 2000s.

Neo soul

The term neo soul is a marketing phrase coined by producer and record label executive Kedar Massenburg to describe a musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes. The style was developed in the early to mid 1990s. A key element in neo soul is a heavy dose of Fender Rhodes or Wurlitzer electric piano pads over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character.

Northern soul and Modern soul

The phrase northern soul was coined by journalist Dave Godin and popularised in 1970 through his column in Blues and Soul magazine. The term refers to rare soul music that was played by DJs at nightclubs in northern England. The playlists originally consisted of obscure 1960s and early 1970s American soul recordings with an uptempo beat, such as those on Motown Records and more obscure labels such as Okeh Records. Modern soul developed when northern soul DJs began looking in record shops in the United States and United Kingdom for music that was more complex and contemporary. What emerged was a richer sound that was more advanced in terms of Hi-Fi and FM radio technology.

Nu jazz and Electronica

Many artists in various genres of electronic music (such as house, drum n bass, UK garage, and downtempo) are heavily influenced by soul, and have produced many soul-inspired compositions.