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  Artist Title Label Price

Cute Boys

Format: Vinyl 12 Inch
Genre: Trance


A1 Analog Paradise (6:25)
A2 Elisir (6:05)
B1 Galaxy Dream (6:00)
B2 I Need You (6:13)

Total Sound Records

Cat No: OUT 3641
Released: 1993



Format: Vinyl 12 Inch
Genre: Trance

Can't Stop

A1 Can't Stop (12" Master) (7:23)
A2 Can't Stop (Dub) (5:45)
B1 Can't Stop (Love To Infinity's Classic Vocal Mix) (7:53)
B2 Can't Stop (Love To Infinity's No Brakes Mix) (4:58)

Hi Life Recordings

Cat No: CANT 1
Released: 1997


Novy Vs. Eniac

Format: Vinyl 12 Inch
Genre: Trance


A1 Superstar (Distraction Mix) (9:36)
B1 Superstar (Jason's Funk Factory Remix) (5:40)
B2 Superstar (Jason Nevins Live Peep Show Remix) (5:59)


Cat No: 74321-569351
Released: 1998



Format: Vinyl 12 Inch
Genre: Trance

You Are Alive

That Side
A You Are Alive (Blank And Jones Remix)
This Side
AA You Are Alive (Warp Brothers Remix)


Cat No: 12TIVDJX153
Released: 2001


Mario Più & DJ Arabesque

Format: Vinyl 12 Inch
Genre: Trance

The Vision (Pt I)

A The Vision (Vision 1 Mix) (8:16)
B The Vision (Starecase's B52 Remix) (6:32)


Cat No: BXRFA 0253
Released: 2001


Dance 2 Trance

Format: Vinyl 12 Inch
Genre: Trance

P→ower Of A★merican N▪atives

Other Side
A P.ower Of A.merican N.atives (Vocal Mix) (6:34)
This Side
B1 P.ower Of A.merican N.atives (Ethno Instrumental Mix) (5:57)
B2 P.ower Of A.merican N.atives (Airplay Edit) (3:51)

Blow Up

Cat No: INT 125.978
Released: 1992



Format: Vinyl 12 Inch
Genre: Trance


A Killer (Lost Witness Dub)
B Killer (Trevor & Simon Remix)

Ministry Of Sound

Cat No: MOSP138
Released: 2000



Format: Vinyl 12 Inch
Genre: Trance

Crazy Sexy Marvellous

A Crazy Sexy Marvellous (Club Mix)
B1 Crazy Sexy Marvellous (Lazard Remix)
B2 Crazy Sexy Marvellous (Driftwood Remix)

Data Records

Cat No: DATA51P1
Released: 2003



Format: Vinyl 12 Inch
Genre: Trance

The Saga (Disc One)

A The Saga (Original Mix)
B1 The Saga (Original Censored Mix)
B2 The Saga (Drax & Gooding Censored Mix)
Remix - Drax & Gooding Remix [Credited To], Producer [Additional] - Adam Routh , Pete Gooding

Hooj Choons

Cat No: HOOJ 116 P
Released: 2001


Josh Wink

Format: Vinyl 12 Inch
Genre: Trance

Don't Laugh

A1 Don't Laugh (Raw Mix)
A2 Don't Laugh (Parkes/DeVit Mix)
AA1 Don't Laugh (The Sound Factory Mix)
AA2 Don't Laugh (Eternity Mix)

XL Recordings

Cat No: XLT 62
Released: 1995



Format: Vinyl 12 Inch
Genre: Trance

Love Above

A Love Above (Sourmash Razor-Edged Club NRG Mix)
B Love Above (Sourmash Dave's Goa Bandwagon Mix)



Cat No: FXX 258
Released: 1995



Format: Vinyl 12 Inch
Genre: Trance

Deeper '99

A Deeper '99 (Knuckleheadz Remix)
AA Deeper '99 (Jon The Dentist&Shane Morris 99 Remix)

Phoenix Uprising

Cat No: PHUX 17
Released: 1999



Format: Vinyl 12 Inch
Genre: Trance

It's Alive / Shine

A It's Alive (Remix) (7:36)
B1 Shine (Vocal Mix) (6:22)
B2 Shine (Original Mix) (5:40)


Cat No: SAM1898
Released: 1996


Neutron 9000

Format: Vinyl 12 Inch
Genre: Trance

The 9000 AD EP

A1 9000 BC (5:53)
A2 9000 AD (6:00)
B1 9000 Bleeps Under The Bass (3:24)
B2 Breakdown And Bleed (3:30)

Profile Records

Cat No: PROFT 320 DJ
Released: 1990


Vintage Millenium

Format: Vinyl 12 Inch
Genre: Trance

Vint-age EP

A Propaganda
B1 Expanded
B2 Ad Libium


Cat No: Telica 05
Released: 1997


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Information on the Trance genre

Trance is a genre of electronic dance music that developed in the 1990s. Trance music is generally characterized by a tempo of between 130 and 155 BPM, short melodic synthesizer phrases, and a musical form that builds up and down throughout a track. It is a combination of many forms of music such as industrial, techno, and house. The origin of the term is uncertain, with some suggesting that the term is derived from the Klaus Schulze album Trancefer (1981) or the early trance act Dance 2 Trance. In any case, the name is undoubtedly linked to the perceived ability of music to induce an altered state of consciousness known as a trance. The effect of some trance music has been likened to the trance-inducing music created by ancient shamanists during long periods of drumming.


Some of the earliest identifiable trance recordings came from the acid house movement, which was pioneered by The KLF. The most notable of these were the original 1988 / 1989 versions of "What Time Is Love?" and "3 a.m. Eternal", along with the aptly titled, "Kylie Said Trance" (1989) and "Last Train to Trancentral" (1990). The KLF labeled these early recordings "Pure Trance" and they share many similarities with The White Room album (1991) but are significantly more minimalist, nightclub-oriented and 'underground' in sound. While the KLF's works are clear examples of proto-trance, two songs, both from 1990, are widely regarded as being the first "true" trance records. The first is Age of Love's self-titled debut single which was released in early 1990 and is seen a basis for the original trance sound to come out of Germany, Some consider "The Age of Love" to be the first true trance single. The second track was Dance 2 Trance's "We Came in Peace", the b-side of their own self-titled debut single. Another influential song was Future Sound Of London's "Papua New Guinea" (1991).

The trance sound beyond this acid-era genesis is said to have been an off-shoot of techno in German clubs during the very early 1990s. Germany is often cited as a birthplace of trance culture. Some of the earliest pioneers of the genre included Jam El Mar, Oliver Lieb, and Sven Väth who all produced numerous tracks under multiple aliases. Trance labels like Eye Q, Harthouse, Rising High Records, and MFS Records were Frankfurt based. Arguably a fusion of techno and house music, early trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones. Also, the songs did not "bounce around" in the same way that house did and often contained unpredictable shifts in beat structure. These early forms of trance are now referred to as classic trance and were longer and more abstract than the more danceable trance that was to follow.

Popular trance

By the mid-1990s trance, specifically progressive trance, which emerged from acid trance much as Progressive house had emerged from Acid house, had emerged commercially as one of the dominant genres of dance music. Progressive trance has set in stone the basic formula of modern trance by becoming even more focused on the anthemic basslines and lead melodies, moving away from hypnotic, repetitive, arpeggiated analog synth patterns and spacey pads. Popular elements and anthemic pads became more widespread. Compositions continued to contain incremental changes (aka progressive structures), sometimes composed in thirds (as BT frequently does). Meanwhile, a different type of trance, generally called uplifting trance was becoming popular. Uplifting trance had buildups and breakdowns that were longer and more exaggerated, being more direct and less subtle than progressive, with more easily identifiable tunes and anthems. Many such trance tracks follow a set form, featuring an introduction, steady build, a breakdown, and then an anthem, a form aptly called the "build-breakdown-anthem" form. Uplifting vocals, usually female, were also becoming more and more prevalent, adding to trance's popular appeal.

Immensely popular, trance found itself filling a niche that was 'edgier' than house, more soothing than drum and bass, and more melodic than techno, which made it accessible to a wide audience. Artists like Paul van Dyk, Armin van Buuren, Tiësto, Robert Miles, Above & Beyond, Darren Tate, Ferry Corsten, Johan Gielen, ATB, Paul Oakenfold, Pulser, and Third Element came to the forefront as premier producers and remixers, bringing with them the emotional, "epic" feel of the style. Many of these producers also DJ'd in clubs playing their own productions as well as those by other trance DJs. By the end of the 1990s, trance remained commercially huge, but had fractured into an extremely diverse genre. Some of the artists that had helped create the trance sound in the early and mid-1990s had, by the end of the decade, abandoned trance completely in favor of more underground sounds - artists of particular note here include Pascal F.E.O.S. and Oliver Lieb.

Post-popular trance

As an alternative evolution some artists have attempted to fuse trance with other genres such as drum'n'bass. Others have experimented with more minimalist sounds. Frustrated, extreme versions of trance have mutated through gabber into fringe genres of "hard trance" or "hardstyle" overlapping with hardcore and terrorcore.

Trance more loyal to its roots has begun to rear its head on the internet with the abundance of legal music download sites - including the likes of Juno Download, and Beatport, - enabling enthusiasts to avoid having to track down hard to find vinyl by downloading mp3s and uncompressed wavs, updated on a weekly basis. As a result, both commercial and progressive trance now have a much more global, if not chart-bound, presence, with big-draw artists such as Sasha, Tiësto, ATB, Markus Schulz, Armin van Buuren, BT, Paul van Dyk, Ferry Corsten, Above & Beyond, Paul Oakenfold, Schiller, Solarstone and the US's Christopher Lawrence and George Acosta able to maintain their esteemed positions while upcoming producers and DJs can also breakthrough into the public domain.

Trance genres

Trance music is broken into a large number of genres. Chronologically, the major genres are Classic trance, Acid trance, Progressive trance, and Uplifting Trance. Uplifting Trance is also known as "Anthem trance", "Epic trance", "Stadium trance" or "Euphoric trance". Closely related to Uplifting Trance is Euro-trance, which has become a general term for a wide variety of highly commercialized European dance music. Several subgenres are crossovers with other major genres of electronic music. For instance, tech trance is a mixture of trance and techno, Vocal Trance adds vocals and a pop-like structure to the songs, and Ambient trance is a mixture of ambient and trance. Balearic beat, which is associated with the laid back vacation lifestyle of Ibiza, Spain, is often called "Ibiza trance". Similarly, Dream trance is sometimes called "Dream House", and is a subgenre of relaxing trance pioneered by Robert Miles in the mid 90s.

Another important distinction is between European trance and Goa trance which originated in Goa, India around the same time trance was evolving in Europe. Goa trance was influential in the formation of Psychedelic Trance, which features spazzy, spontaneous samples and other psychedelic elements. Trance is also very popular in Israel, with psychedelic trance producers such as Infected Mushroom and Yahel Sherman achieving world wide fame. The Israeli subgenre called Nitzhonot is a mixture of psychedelic and uplifting trance.