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  Artist Title Label Price

Various

Format: Vinyl Compilation
Genre: UK Techno

Reactivate Vol2 - Phasers On Full - (Generic Sleeve)l

A1 GTO The Bullfrog (Data Flow Mix)
A2 6 Bells All Me The Mailman
A3 Outlander Vamp
A4 Fierce Ruling Diva Rubb It In
A5 Space Trax Deduction (1e Version)
B1 B-Sides (2) The Tape (Remix)
B2 Code Red Dreams Forever
B3 Sub System Subhouse
B4 Hyp-no-tyz Torsion
B5 Techno Grooves Techno Slam

React

Cat No: REACT LP2
Released: 1991

£7.00

Craig Walsh

Format: Vinyl 12 Inch
Genre: UK Techno

On Line EP

A1 Carrier
A2 Space 201
B1 Fused
B2 C.C.C.P.

Tortured Records

Cat No: PAIN 010
Released: 1998

£6.00

Neil Landstrumm

Format: Vinyl 12 Inch
Genre: UK Techno

Inhabit The Machines

A1 Blam The Target (4:36)
A2 Sniff And Destroy (5:30)
B1 Boost Controller (5:32)
B2 DS Attack (4:55)

Peacefrog Records

Cat No: PF:044
Released: 1996

£25.00

Dave Angel

Format: Vinyl Double Album
Genre: UK Techno

Globetrotting

A1 Philly Bluntz
A2 Funk Music
B1 Club Hell
B2 Sensor Zurich
C1 This Is Disco
C2 Tokyo Stealth Fighter
D1 Liquid Rooms
D2 Chicago Emerald City

4th & Broadway

Cat No: BRLPD 625
Released: 1997

£7.00

Josh Wink

Format: Vinyl Triple 12 Album
Genre: UK Techno

Left Above The Clouds

A Funky Elevation (7:41)
B Verano Azul (8:34)
C How's The Music (Ovum Warmth Mix) (5:35)
D You Are The One (8:54)
E Topfe & Pfannen (6:04)
F1 Sometimes At Silk (4:17)
F2 Licking Plastic (2:55)

XL Recordings

Cat No: XLLP 119 PR
Released: 1996

£7.00

Kabuto

Format: Vinyl 12 Inch
Genre: UK Techno

The Fox EP

A The Fox
B Ripped Off

Primate Endangered Species

Cat No: APE 014
Released: 2004

£4.00

Helium

Format: Vinyl 12 Inch
Genre: UK Techno

The Works E.P.

A1 Try Me (04:40)
A2 Out There (06:54)
B1 Clouds (03:39)
B2 We Are The Future (04:56)
B3 What Is The Human Machine? (06:16)

Kalahari Oyster Cult

Cat No: OYSTER20
Released: 2021

£14.00

Fugitive, The

Format: Coloured Vinyl 10 Inch
Genre: UK Techno

Undercover Blues E.P.

A Sublime
AA Airvent

Primate Recordings

Cat No: PMTEN 016
Released: 2000

£6.00

Dave Angel

Format: Vinyl 12 Inch
Genre: UK Techno

This Is Disco

A This Is Disco
B1 This Is Disco (Ian Pooley's Hyperdisco Remix)
B2 This Is Disco (Dave Angel Remix)

Fourth & Broadway

Cat No: 12 BRW 352
Released: 1997

£7.00
£3.50

Filter Science

Format: Vinyl 12 Inch
Genre: UK Techno

Darkness Falls

A Darkness Falls
B Endemic Energy

Bush Records

Cat No: Bush 1080
Released: 2000

£6.50

Frequency

Format: Vinyl 12 Inch
Genre: UK Techno

Where Is Your Evidence

A1 Where Is Your Evidence (Hard ! Harder !!)
A2 Where Is Your Evidence (Club)
B1 Burnin'
B2 45 Beat

DBH Music

Cat No: DBH-005
Released: 2021

£11.00

Blakkat

Format: Vinyl 12 Inch
Genre: UK Techno

Blakkat

A Blakkat (Blakkat Mix)
B Blakkat (Blakkat Medic Mix)

Bush

Cat No: BUSH 1017
Released: 1994

£6.00

Darren Price

Format: Vinyl 12 Inch
Genre: UK Techno

Lose No Time

A Lose No Time
B1 It's Movin'
B2 Friction

NovaMute

Cat No: 12NOMU33
Released: 1997

£6.00

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

The Extended Pleasure Of Dance EP

A Cobra Bora (Call The Cops Mix) (4:49)
Engineer [Remix] - Ren Swan
AA1 Ancodia (Taters Deep Nit Funky Beat Mix) (5:37)
Engineer [Remix] - Ren Swan
AA2 Cübik (3:36)
Mixed By, Recorded By - Graham Massey

Listen

ZTT

Cat No: ZANG 2T
Released: 1990

£7.00
£3.50

Ricky Effe & Gabry Fasano

Format: Vinyl 12 Inch
Genre: UK Techno

Noise Maker Volume Four

A1 Ricky Effe Sector .30 (Sector Mix)
B1 Gabry Fasano Jaiss Bangin' (Bang Mix)

Nukleuz

Cat No: NUKP 0187
Released: 1999
Out Of Stock
Page of 107 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).