Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]
1656 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 111 next >>
  Artist Title Label Price

DJ Dero

Format: Vinyl 12 Inch
Genre: UK Techno

The Horn (El Tren)

A The Horn (El Tren) (Mortal Whistle Mix) (6:33)
B The Horn (El Tren) (Bata Cuda Mix) (6:40)

Manifesto

Cat No: DERDJ 1
Released: 1997

£6.00
£3.00

Mind Over Rhythm

Format: Vinyl 12 Inch
Genre: UK Techno

Erzulie

AA1 Erzulie (Sonik Goddess Mix)
AA2 Erzulie (Sonik Goddess Inst.)
A1 Erzulie (Yoruba Mix)
A2 Erzulie (Temple Dub Mix)

Rumble Records

Cat No: RUMBLE 003T
Released: 1992

£35.00

Mind Over Rhythm

Format: Vinyl 12 Inch
Genre: UK Techno

Erzulie

AA1 Erzulie (Sonik Goddess Mix)
AA2 Erzulie (Sonik Goddess Inst.)
A1 Erzulie (Yoruba Mix)
A2 Erzulie (Temple Dub Mix)

Rumble Records

Cat No: RUMBLE 003T
Released: 1992

£50.00

Johan Svenson

Format: Vinyl 12 Inch
Genre: UK Techno

Space Is The Place

A Space Is The Place (Jon The Dentist Remix) (7:40)
Remix - Jon The Dentist
B Space Is The Place (Chris Liberator Remix) (8:35)
Remix - Chris Liberator

Additive

Cat No: 12AD 003
Released: 1996

£7.00

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

One In Ten

A One In Ten (808 Original Mix) (4:16)
B1 One In Ten (Fast Fon Mix) (3:58)
B2 One In Ten (808 7") (2:40)

ZTT

Cat No: ZANG 39 T
Released: 1992
Out Of Stock

Underworld

Format: Vinyl 12 Inch
Genre: UK Techno

Push Upstairs

A1 Push Upstairs (4:34)
A2 Push Upstairs (The Large Unit) (5:38)
B1 Push Upstairs (Roger S. Blue Plastic People Mix) (8:13)

Junior Boy's Own

Cat No: JBO5005446
Released: 1999

£6.00

Dave Angel

Format: Vinyl 12 Inch
Genre: UK Techno

Knockout EP

a Body Punch Funk
aa Pound For Pound

Rotation Records

Cat No: rot99020
Released: 1999

£6.00

Omar Santana

Format: Vinyl 12 Inch
Genre: UK Techno

Come On And Jam

A1 Come On And Jam (Original Mix) (6:21)
A2 Come On And Jam (Instrumental) (3:27)
AA1 Come On And Jam (Boy Genius Mix) (5:28)
AA2 Come On And Jam (Subterranean Mix) (4:16)

1st Bass

Cat No: RUFF 10
Released: 1991

£6.00

Nation 12

Format: Vinyl 12 Inch
Genre: UK Techno

Remember

A1 Remember (5:46)
A2 Remember (Sub Dub Mix) (4:26)
B1 Listen To The Drummer (5:04)
B2 Remember (Club Edit) (2:43)

Rhythm King Records

Cat No: EBU 1
Released: 1990
Out Of Stock

Bizarre Inc

Format: Vinyl 12 Inch
Genre: UK Techno

Bizarre Theme / X-Static

A Bizarre Theme (Non Static)
AA X-Static

Vinyl Solution

Cat No: STORM 20
Released: 1990
Out Of Stock

Lost

Format: Vinyl 12 Inch
Genre: UK Techno

Techno Funk

A1 Techno Funk (Part 1)
B1 Techno Funk (Part 2)

Perfecto

Cat No: PT 44560
Released: 1991
Out Of Stock

Throb

Format: Vinyl 12 Inch
Genre: UK Techno

Skylines E.P.

A1 Grasshopper
A2 Fuzzy Frog
AA1 Watch Out For The Frog
AA2 Thrombosis

Primate Recordings

Cat No: PRMT 008
Released: 1996

£7.00

Josh Wink

Format: Vinyl 12 Inch
Genre: UK Techno

Thoughts Of A Tranced Love

A Thoughts Of A Tranced Love
B1 Thoughts Of A Tranced Love (Instrumental)
B2 Percussive Habits

Limbo Records

Cat No: LIMB 33T
Released: 1994
Out Of Stock

Shi-Take

Format: Vinyl 12 Inch
Genre: UK Techno

Digital Domain (The Advent Remixes)

A Digital Domain (Shi Mix)
B Digital Domain (Take Mix)

Zoom Records

Cat No: ZOOM 028R
Released: 1996

£6.00

Optica

Format: Vinyl 12 Inch
Genre: UK Techno

Visions Of Zxylon EP

Over
A1 Glow (5:10)
A2 Energy Voyage (4:43)
Here
AA1 Citadel (4:41)
AA2 Zxylon (4:43)

Kinetix

Cat No: KINT 10
Released: 1993

£50.00

Page of 111 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).