1662 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ] |
||
Page of 111 | next >> |
Artist | Title | Label | Price | |
![]() |
Jamie AndersonFormat: Vinyl 12 InchGenre: UK Techno |
Can't Stop ReworksA Can't Stop (Dave Angel Rework)Remix - Dave Angel AA Can't Stop (G Force Rework) Remix - G-Force |
ArtformCat No: artform016Released: 2001 |
£6.00 |
![]() |
A Guy Called GeraldFormat: Vinyl 12 InchGenre: UK Techno |
FX (The Elevation Mix)A FX (The Elevation Mix)Engineer - Jim Reynolds* AA1 Eyes Of Sorrow Engineer - Jim Reynolds* AA2 Emotions Electric 2 (To Be Continued...) (Edited Version) Engineer - Lee Monteverde ![]() |
SubscapeCat No: AGCG T1Released: 1989 |
£
|
![]() |
Analog MindsFormat: Vinyl 12 InchGenre: UK Techno |
Feel The RhythmA1 Feel The RhythmA2 Forbidden Knowledge AA1 Untapped Energy AA2 Astral Projection |
Analog MindsCat No: ANMIT001Released: 1993 |
£10.00 |
![]() |
D-ShakeFormat: Vinyl 7 InchGenre: UK Techno |
My Heart, The BeatA My Heart, The BeatB Funny Moves |
CooltempoCat No: COOL 228Released: 1991 |
£5.00 |
![]() |
The Future Sound Of LondonFormat: Vinyl 12 InchGenre: UK Techno |
We Have ExplosiveA We Have Explosive (Mantronik Plastik Formula #1) (5:37)B We Have Explosive (Mantronik Plastik Formula #2) (6:04) ![]() |
VirginCat No: VSTDJ 1616Released: 1997 |
£6.00 |
![]() |
Mind Over RhythmFormat: Vinyl 12 InchGenre: UK Techno |
ErzulieAA1 Erzulie (Sonik Goddess Mix)AA2 Erzulie (Sonik Goddess Inst.) A1 Erzulie (Yoruba Mix) A2 Erzulie (Temple Dub Mix) |
Rumble RecordsCat No: RUMBLE 003TReleased: 1992 |
£35.00 |
![]() |
ElectroteteFormat: Vinyl 12 InchGenre: UK Techno |
Anjuna DawnA Anjuna Dawn (Extended Mix) (5:08)B1 Anjuna Dawn (The Remix) (5:05) B2 Anjuna Dawn (The Original Mix) (4:34) |
Warner Music UK Ltd.Cat No: SAM00900Released: 1991 |
£7.00 |
![]() |
Radio SlaveFormat: Vinyl 12 InchGenre: UK Techno |
Eyes Wide Open / IncognitoA Eyes Wide OpenB Incognito |
R & S RecordsCat No: RS 0801Released: 2008 |
£9.00 |
![]() |
Eternal BasementFormat: Vinyl 12 InchGenre: UK Techno |
Understood / RawA Understood (5:10)B Raw (5:27) |
Blue Room ReleasedCat No: BR 089, BAM 0101Released: 1999 |
£7.00 |
![]() |
BanderasFormat: Vinyl 12 InchGenre: UK Techno |
May This Be Your Last SorrowA1 May This Be Your Last Sorrow (7" Version)A2 May This Be Your Last Sorrow (Less Stress 12" Inch) B1 May This Be Your Last Sorrow (Smith & Mighty - The Original Plan Mix) B2 This Is Your Life |
London RecordsCat No: LONX 306Released: 1991 |
£6.00 |
![]() |
Micronauts, TheFormat: Vinyl 12 InchGenre: UK Techno |
Bleep To BleepA1 Baby Wants To Bleep Pt.1 (4:38)A2 Baby Wants To Rock (2:34) A3 Baby Wants To Bleep Pt.2 (3:21) A4 Baby Wants To Bleep Pt.3 (1:55) B1 Bleeper (10:51) |
ScienceCat No: QEDLPDJ4Released: 2000 |
£6.00 |
![]() |
Micronauts, TheFormat: Vinyl 12 InchGenre: UK Techno |
Bleep To BleepA1 Baby Wants To Bleep Pt.1 (4:38)A2 Baby Wants To Rock (2:34) A3 Baby Wants To Bleep Pt.2 (3:21) A4 Baby Wants To Bleep Pt.3 (1:55) B1 Bleeper (10:51) |
ScienceCat No: QEDLPDJ4Released: 2000 |
£6.00 |
![]() |
StrategyFormat: Vinyl 12 InchGenre: UK Techno |
You\'re The BestA1 You\'re The Best (Omer / Crooks Mix)A2 You\'re The Best (Rainforest Mix) AA You\'re The Best (Simon Hanson & Laurence Nelson Mix) |
Strategy RecordsCat No: STRAT 22Released: 1993 |
Out Of Stock |
![]() |
DJ DeroFormat: Vinyl 12 InchGenre: UK Techno |
The Horn (El Tren)A The Horn (El Tren) (Mortal Whistle Mix) (6:33)B The Horn (El Tren) (Bata Cuda Mix) (6:40) |
ManifestoCat No: DERDJ 1Released: 1997 |
£6.00 |
![]() |
Mind Over RhythmFormat: Vinyl 12 InchGenre: UK Techno |
ErzulieAA1 Erzulie (Sonik Goddess Mix)AA2 Erzulie (Sonik Goddess Inst.) A1 Erzulie (Yoruba Mix) A2 Erzulie (Temple Dub Mix) |
Rumble RecordsCat No: RUMBLE 003TReleased: 1992 |
Out Of Stock |
Page of 111 | next >> |
Information on the UK Techno genre
UK Techno contains techno releases on UK record labels.Several subgenres were created
Intelligent techno
In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.
As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".
Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.â€
Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.
Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).