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The Shamen - Hyperreal (Rmx) - One Little Indian - Techno

The Shamen - Hyperreal (Rmx) - One Little Indian - Techno
Price £4.00

Track Listing

A Hyperreal (Selector) (7:45)
B1 Hyperreal (Dirty Dubbing) (3:50)
B2 Hyperreal (McGuire 2) (5:38)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist The Shamen
Title Hyperreal (Rmx)
Label One Little Indian
Catalogue 48TP12L
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Other Titles by The Shamen

Destination EschatonEbeneezer GoodeEn-TactHyperrealHyperreal (Rmx)L.S.I. (Love Sex Intelligence)L.S.I. (Love Sex Intelligence)L.S.I. 3Make It MineMake It MineMake It Mine (Remix)Phorever PeoplePro>genShow Of Strength EPBoss Drum


Some Other Artists in the Techno Genre

808 StateDJ DanDave AngelWestBamMobyThe Chemical BrothersThe ProdigyRedheadSven VäthEskimos & EgyptSlamSystem 7Roel ButzenCarl CoxUnderworldFormatJbsDave ClarkeIgnition TechnicianDynamite LostPaul LangleyTechnomaniaFrankie BonesSapianoKen IshiDavid RoiseuxMark SummersAndreas KremerLuke SlaterBob BrownUnknown ArtistStacey PullenScotti DeepCristian VogelSound ExcitersMauro PicottoDj EmersonA Guy Called GeraldDJ Creator

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Some Other Artists on the One Little Indian Label

Shamen, TheBazSoul Family SensationEskimos & EgyptManchildKelli AliBjörkLinda CliffordFinitribeSugarcubes, TheCredit To The NationCorrina JosephSecret KnowledgeEmiliana TorriniPharmacy AllstarsManbreakPopinjays, TheThe PopinjaysCrispin J.Glover And D\\\'MusikSkunk AnansieCurtis Lynch JrFifth AmendmentDJ Flex & Ken NorrisCompulsionRemoshRairbirdsSupreme Love GodsThe SugarcubesOUTCASTKelli AliCrispin J. GloverBig Hard Excellent FishHeart Throbs, TheNo-ManSensationChumbawamba & Credit To The NationShamenChumbawamba & DiYNemetonCurtis Lynch Junior

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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