The Weavers - The Best Of The Weavers - Coral - Folk
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Price | £6.50 |
Track ListingA1 The Weavers & Gordon Jenkins And His Orchestra Goodnight IreneA2 The Weavers Kisses Sweeter Than Wine A3 The Weavers & Gordon Jenkins And His Orchestra So Long (It\'s Been Good To Know Yuh) A4 The Weavers & Gordon Jenkins And His Orchestra Old Paint (Ride Around Little Dogies) A5 The Weavers & Gordon Jenkins And His Orchestra Around The Corner (Beneath The Berry Tree) A6 The Weavers & Gordon Jenkins And His Orchestra Wimoweh B1 The Weavers & Terry Gilkyson On Top Of Old Smokey B2 The Weavers The Wreck Of John B B3 The Weavers & Gordon Jenkins And His Orchestra Midnight Special B4 The Weavers The Roving Kind B5 The Weavers & Gordon Jenkins And His Orchestra Lonesome Traveler B6 The Weavers When The Saints Go Marching In Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
| Artist | The Weavers | ||
| Title | The Best Of The Weavers | ||
| Label | Coral | ||
| Catalogue | CPS 86 | ||
| Format | Vinyl Album | ||
| Released | 1972 | ||
| Genre | Folk |
Other Titles by The Weavers
• Reunion At Carnegie Hall, Part 2 • Reunion At Carnegie Hall, Part 2 • The Weavers Almanac • The Weavers At Carnegie Hall • Travelling On With The Weavers • Reunion At Carnegie Hall - 1963 •
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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