Susan Baker - Susan Baker's Fiddles And Follies - Argo - Folk
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Price | £7.50 |
Track ListingA1 Waterman\'s HornpipeA2a The Wonder A2b Slingsby\'s Allamande A2c The Vicar Of Bray A2d London Bridge A3a Lulle Me Beyond Thee A3b Cuckolds All A Row A3c Lord Of Carnarvon\'s Jig A3d Watkin\'s Ale A4 Sonata A5a Kettle Drum A5b Walking Song A6 Variations For Violins A7a The Sleigh Ride A7b Hungarian Romance A8 Stars Fell On Alabama B1 Plaisir D\'Amour B2 Largo From Concerto In D Minor F.11 No.4 For Viola D\'Amore B3 Minuet And Trio From Serenata In D Major B4 Wolsey\'s Wilde B5 Sonatina For Mandoline B6 The Harry Lime Theme B7 The Beggar Man B8 Here Comes The Hurdy-Gurdy B9 Czardas B10 My Fiddle Is My Sweetheart Media Condition » Near Mint (NM or M-) Sleeve Condition » Good Plus (G+) |
| Artist | Susan Baker | ||
| Title | Susan Baker's Fiddles And Follies | ||
| Label | Argo | ||
| Catalogue | ZK86 | ||
| Format | Vinyl Album | ||
| Released | 1979 | ||
| Genre | Folk |
Other Titles by Susan Baker
• Susan Baker's Fiddles And Follies •
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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