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Grand Larceny - No Time For Playin - Southern Fried Records - Old Skool Electro

Grand Larceny - No Time For Playin - Southern Fried Records - Old Skool Electro
Price £6.00

Track Listing

A1 No Time For Playin\' (Grand Larceny Mix)
B1 No Time For Playin\' (Psychadeliasmith Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Grand Larceny
Title No Time For Playin
Label Southern Fried Records
Catalogue ECB16
Format Vinyl 12 Inch
Released 1999
Genre Old Skool Electro

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Other Titles by Grand Larceny

No Time For Playin'No Time For PlayinNo Time For Playin'Body Workin'No Time For PlayinNo Time For Playin'


Some Other Artists in the Old Skool Electro Genre

Break MachineMantronixPaul HardcastleJonzun Crew, TheMasqueradeGrandmaster FlashJonzun Crew, The & Michael JonzunFreeez & John RoccaChaka KhanPlanet PatrolNewcleusKartoon Krew, TheRockers Revenge & Donnie CalvinSymbolic Three & DJ Dr. ShockHarold FaltermeyerGrandmaster Flash & Melle MelD.St.Arthur Baker And The Backbeat Disciples & Leee John & Tata VegaLady LeviSugarhill GangEscalatorWest Street MobClimie FisherStrafeExecutive SlacksMalcolm McLaren And The Bootzilla OrchestraPee Bee SquadThe Cookie CrewMantronix & Wondress HutchinsonPrince Charles & City BeatRedhead Kingpin And The FBIMan ParrishDSME.T. Rock Steady Crew, TheAfrika Bambaataa & FamilyRon COllie And JerryYellow Magic OrchestraKurtis Blow

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Some Other Artists on the Southern Fried Records Label

ScantyPercy FilthMighty Dub KatzSpace CowboyBucci BagGrandadbobAndrea DoriaMarasciaGlasgow Gangster FunkArmand Van HeldenMarkus NikolaiHeavy RockArmand Van Helden & Spalding RockwellKlonhertzDe'rangedPaul Masterson & Subway Samy RockstarCo-FusionFatboy SlimCagedbaby & GrandadbobProfessional LosersCagedbabyScanty SandwichElton JohnSporkChemistryMighty Dub Katz, TheCaged BabyThe Feelgood FactorJess & CrabbeThe Mighty Dub CatsFatboy Slim & Midfield GeneralA Man Called AdamJon Of The Pleased WimminCyloneKurtis Mantronik & ChamonixAB/DCChamonixFeelgood Factor, ThePhunk Electric

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Information on the Old Skool Electro Genre

Old Skool Electro (sometimes called electronic hip hop, electronic rap or robot hip hop) is the fusion of electro, electronica, or techno with hip hop. The electro-hop movement had come about after seeing the underground electro movement on the East Coast gain popularity with artists such as Mantronix, Man Parrish, Jonzun Crew, Newcleus, Planet Patrol etc. The electro sound was pioneered by Kraftwerk and was further developed by Zulu Nation leader and hip-hop godfather Afrika Bambaataa. This style of hip-hop had its huge underground fanbase based primarily in Southern California. An eastern strand of electro was born from DJ Arthur and Diesel D in late 2006. They hold a strong underground following in northern Georgia and eastern Tennessee; it likely developed independently of other influences, such as Crunk and Snap music.

Following the decline of disco music in the late 1970s, various electro-funk artists such as Zapp & Roger began experimenting with talk boxes and the use of heavier, more distinctive beats.

In 1982, Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album). "Planet Rock" is widely regarded as a turning point in the electro genre.

In 1983, Hashim created the influential electro funk tune "Al-Naafiysh (The Soul)" which became Cutting Record's first release in November 1983. At the time Hashim was influenced by Man Parrish's "Hip Hop, Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" . Also in 1983, Herbie Hancock, in collaboration with Grand Mixer D.ST, released the hit single "Rockit".

Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie and Shep Pettibone) featured prominently in the Latin Freestyle (or simply "Freestyle") movement. By the late 1980s, the genre had parted from its initial funk influences. Baker and Pettibone enjoyed robust careers well into the house era, and both eluded the "genre trap" to successfully produce mainstream artists.

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