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Daz-I-Kue & Colonel Red - Rokstone (Soon Come) - Bitasweet - Dub

Daz-I-Kue & Colonel Red - Rokstone (Soon Come) - Bitasweet - Dub
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Track Listing

A1 Rokstone (Soon Come) (Original Mix)
A2 Rokstone (Soon Come) (Boulder Dub Mix)
B1 Rokstone (Soon Come) (Several Small Furry Bugz Co-Operating In The Attic Remix)
B2 Rokstone (Soon Come) (Accappella)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Daz-I-Kue & Colonel Red
Title Rokstone (Soon Come)
Label Bitasweet
Catalogue BS1223
Format Vinyl 12 Inch
Released 2005
Genre Dub

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Some Other Artists in the Dub Genre

TackheadGary Clail & On-U Sound SystemBeats InternationalSugar BulletF.A.B.Concrete NationMonyakaMajestic 12Border CrossingStock, Aitken & WatermanMovement 98Oui 3Zeke ManyikaPeace OrchestraCashmerePlatinum Radics & Governor TiggyFaze ActionLarry PeeUnitone Rockers & Black SteelFrantic LanguageLazyboySystem 7Home T & Cocoa Tea & Shabba RanksNew KingdomRed DragonBad Street BoyThe Dread Flimstone SoundCarey JohnsonCheshire CatBomb The Bass & CarltonOosh Transglobal UndergroundRichard LugoThe ConceptYosser's GangDJ ShadowRaz OharaMarkus KienzlSly & RobbieInternational Pony & Stepchild

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Some Other Artists on the Bitasweet Label

DKDAfronaughtBugz In The AtticAfronaught & Son Del BateyKaidi Tatham & Izzi Dunn

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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