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  Artist Title Label Price

George Melly & The Saints Jazz Band + Mick Mulligan & His Band

Format: Vinyl Album
Genre: Jazz

The Saints Meet The Sinners

A1 Mick Mulligan & His Band Since My Best Girl Turned Me Down (3:20)
A2 George Melly & The Saints Jazz Band (2) Way Down Yonder In New Orleans (3:10)
A3 Mick Mulligan & His Band It's A Sin To Tell A Lie (0:26)
A4 Mick Mulligan & His Band Where Did You Stay Last Night? (0:46)
A5 George Melly & The Saints Jazz Band (2) Tin Roof Blues (0:48)
A6 George Melly & The Saints Jazz Band (2) Washington And Lee Swing (0:54)
B1 George Melly & The Saints Jazz Band (2) Clarinet Marmalade (1:02)
B2 Mick Mulligan & His Band Nobody Knows You When You're Down And Out (2:49)
B3 George Melly & The Saints Jazz Band (2) 'S Wonderful (1:25)
B4 George Melly & The Saints Jazz Band (2) What Did I Do To Be So Black And Blue (0:43)
B5 Mick Mulligan & His Band Make Me A Pallet On The Floor (0:49)
B6 Mick Mulligan & His Band As Long As I Live (1:11)

Parlophone

Cat No: PMC 1103
Released: 1959

£14.00

Clifford Brown

Format: Vinyl Album
Genre: Jazz

Clifford Brown Vol. 1

A1 Jordu
A2 I Can't Get Started
A3 I Get A Kick Out Of You
A4 A Parisian Thoroughfare
B1 All God's Chillun Got Rhythm
B2 Tenderley
B3 Sunset Eyes
B4 Clifford's Axe

Jazz Reactivation

Cat No: JR118
Released: 1981

£6.50

Lou McGarity

Format: Vinyl Album
Genre: Jazz

Lou McGarity: In Celebration

A1 Sugar
A2 Basin Street Blues
A3 'S Wonderful
A4 I Would Do Anything For You
A5 You're Driving Me Crazy
A6 Old Folks
B1 Dream
B2 Sweet Georgia Brown
B3 Do You Know What It Means To Miss New Orleans?
B4 Gidgety Feet
B5 Four Or Five Times
B6 Linger Awhile

IAJRC

Cat No: 36
Released: 1981

£2.00

George Lewis

Format: Vinyl Album
Genre: Jazz

Jazz Funeral At New Orleans

A1 When The Saints Go Marchin' In (5:15)
A2 Just A Closer Walk With Thee (5:07)
A3 Down By The Riverside (2:40)
A4 Burgundy Street Blues (4:13)
B1 Ice Cream (5:45)
B2 Panama (4:06)
B3 Doctor Jazz (2:50)
B4 Lou-easy-an-i-a (4:47)

Olympic Records

Cat No: 7117
Released: 1980

£7.50

Various

Format: Vinyl Album
Genre: Jazz

Casino Lights - Recorded Live At Montreux, Switzerland

A1 Al Jarreau & Randy Crawford Your Precious Love (5:32)
A2 Al Jarreau & Randy Crawford Who's Right, Who's Wrong (4:51)
A3 Al Jarreau & Randy Crawford Sure Enough (4:10)
A4 Randy Crawford & Yellowjackets Imagine (5:31)
B1 Yellowjackets Monmouth College Fight Song (6:18)
B2 David Sanborn Theme From "Love Is Not Enough" (8:21)
B3 David Sanborn Hideaway (6:05)
B4 Neil Larsen & Buzzy Feiten Casino Lights (5:02)

Warner Bros. Records

Cat No: 92.3718-1
Released: 1982

£6.50

Alton Purnell & Barry Martyns Band

Format: Vinyl Album
Genre: Jazz

It's The Talk Of The Town

A1 Chinatown
A2 It's The Talk Of The Town
A3 Sweet Georgia Brown
A4 Baby Won't You Please Come Home
A5 Blues For Lucia
B1 Stardust
B2 Clarinet Marmalade
B3 I Want You, I Need You And I Love You Until The Real Thing Comes Along
B4 Sweetheart Of Sigma Chi
B5 Rose Room

77 Records

Cat No: 77SEU12/44
Released: 1972

£7.50

Bobby Lamb - Ray Premru Orchestra

Format: Vinyl Album
Genre: Jazz

Live at Ronnie Scott's Club

A1 The Great White Whale
A2 Soliloquy
A3 Round And Round And Round
B1 Roots
B2 A Winter's Tale
B3 Cuchulainn

BBC Records

Cat No: REC 116
Released: 1971

£4.00

Sadao Watanabe

Format: Vinyl Album
Genre: Jazz

How's Everything

A1 Up Country (10:37)
A2 Mzuri (4:27)
B1 Tsumagoi (6:31)
B2 All About Love (4:40)
B3 Nice Shot (8:30)
C1 Seeing You (5:33)
C2 No Problem (7:19)
C3 Boa Noite (6:07)
D1 Sun Dance (7:46)
D2 M&M Studio (9:07)
D3 My Dear Life (5:21)

CBS

Cat No: CBS 22081
Released: 1980

£5.00

Carmel

Format: Vinyl 12 Inch
Genre: Jazz

Bad Day

A Bad Day
B1 Rue St Denis (Dance Mix)
B2 Bad Day (7" Version)

London Records

Cat No: LONX 29
Released: 1983

£5.00

Alison Moyet

Format: Vinyl 12 Inch
Genre: Jazz

That Ole Devil Called Love

A1 That Ole Devil Called Love
A2 That Ole Devil Called Love (Jazz Version)
B Don't Burn Down The Bridge (Extended Version) (6:37)

CBS

Cat No: TA 6044
Released: 1985

£4.50

Buddy Rich Big Band

Format: Vinyl Album
Genre: Jazz

Buddy Rich Big Band

A1 Three Day Sucker (6:50)
A2 Tommy Medley (11:55)
B1 On Broadway (3:48)
B2 Pieces Of Dreams (4:30)
B3 Ease On Down The Road (3:30)
B4 West Side Story Medley '75 (5:27)

Europa Jazz

Cat No: EJ-1009
Released: 1981

£5.00

Lionel Hampton

Format: Vinyl Album
Genre: Jazz

Bad Dude

A1 Glad Hamp (5:25)
A2 Groovin' Gates (10:15)
B1 Easy Living (4:20)
B2 Flying Home (12:15)

Manhattan Records

Cat No: MAN 5036
Released: 1980

£3.00

Roadside Picnic

Format: Vinyl Album
Genre: Jazz

For Mad Men Only!

A1 Sometimes I Get Very Sad (8:10)
A2 For Mad Men Only! (7:22)
A3 Lonely Wolf (5:50)
A4 Premonition (Adventures In The Magic Theatre) (3:56)
A5 Song For Elaine (3:16)
B1 No Blues (4:48)
B2 Victoria Park Forever (4:35)
B3 The Visitation (5:33)
B4 Steve At The Beach (10:40)

Novus

Cat No: PL 74581
Released: 1990

£5.00

The Crusaders

Format: Vinyl Album
Genre: Jazz

Rhapsody & Blues

A1 Soul Shadows (8:14)
A2 Honky Tonk Struttin' (4:23)
A3 Elegant Evening (5:58)
B1 Rhapsody And Blues (8:45)
B2 Last Call (6:40)
B3 Sweet Gentle Love (4:52)

MCA Records

Cat No: MCG 4010
Released: 1980

£8.00

Gene Krupa

Format: Vinyl Album
Genre: Jazz

Drummin Man

A1 Drummin' Man
A2 Opus 1
A3 Leave Us Leap
A4 Drum Boogie
A5 Body And Soul
A6 Boogie Blues
A7 Massachusetts
B1 How High The Moon
B2 Tuxedo Junction
B3 Dark Eyes
B4 That's What You Think
B5 Bolero At The Savoy
B6 Lover

CBS

Cat No: 32262
Released: 1983

£5.00

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Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.


In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.