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  Artist Title Label Price

Various

Format: Vinyl Compilation
Genre: Jazz

New Orleans

A1 Jelly Roll Morton's Red Hot Peppers Dr Jazz (3:20)
A2 King Oliver's Jazz Band Sweet Lovin' Man (2:45)
A3 Johnny Dodds Orchestra Too Tight (2:51)
A4 Louis Armstrong & His Hot Seven Alligator Crawl (3:05)
A5 Original Tuxedo Jazz Orchestra As You Like It (3:09)
A6 New Orleans Owls That's A Plenty (3:01)
A7 Louis Dumaine's Jazzola Eight Franklin Street Blues (3:17)
A8 New Orleans Rhythm Kings Mr Jelly Lord (3:05)
B1 Henry \"Red\" Allen And His Orchestra Pleasin' Paul (2:53)
B2 Jones & Collins Astoria Hot Eight Damp Weather (3:17)
B3 Monk Hazel & His Bienville Roof Orchestra Sizzling The Blues (3:17)
B4 Sidney Bechet And His New Orleans Feetwarmers Sweetie Dear (2:48)
B5 Louis Armstrong & Earl Hines Weather Bird (2:43)
B6 Johnny Dodds Trio Blue Piano Stomp (3:08)
B7 Jelly Roll Morton Trio Turtle Twist (3:08)
B8 Original Dixieland Jazz Band Clarinet Marmalade (2:45)

BBC Records And Tapes

Cat No: REB 588
Released: 1986

£5.00

Teddy Wilson

Format: Vinyl Album
Genre: Jazz

The Delicate Swing Of Teddy Wilson

A1 Sweet Georgis Brown
A2 Dinah
A3 Body And Soul
A4 I Know That You Know
A5 Confessin'
A6 Whispering
A7 China Boy
B1 After You're Gone
B2 Stompin' At The Savoy
B3 I Surrender Dear
B4 How High The Moon
B5 Rose Room
B6 Flying Home
B7 Sheik Of Araby

Polydor

Cat No: 623 271
Released: 1968

£5.00

Various

Format: Vinyl Album
Genre: Jazz

Jazz Piano À Paris 1937 - 1939

A1 Joe Turner The Ladder
A2 Joe Turner Loncy
A3 Garland Wilson The Blues Got Me
A4 Garland Wilson You Showed Me The Way
A5 Garland Wilson The Blues I Love To Play
A6 Garland Wilson Sweet Lorraine
A7 Garland Wilson Bei Mir Bist Du Schön
A8 Herman Chittison My Last Affair / No More Tears
B1 Herman Chittison I'm Putting All My Eggs In One Basket
B2 Herman Chittison My Own Blues
B3 Herman Chittison My Melancholy Baby
B4 Herman Chittison They Can't Take That Away From Me
B5 Teddy Weatherford Tea For Two
B6 Teddy Weatherford Maple Leaf Rag
B7 Teddy Weatherford My Blue Heaven
B8 Teddy Weatherford Ain't Misbehavin'

Parlophone

Cat No: PMC 7118
Released: 1971

£5.00

The Bobby Lamb & Ray Premru Orchestra

Format: Vinyl Album
Genre: Jazz

BBC Jazz Club Presents Live At Ronnie Scott's

A1 Great White Whale (5:32)
A2 Soliloquy (8:20)
A3 Round And Round And Round (6:48)
B1 Roots (6:10)
B2 A Winter's Tale (5:39)
B3 Cuchulainn (6:10)

BBC Records

Cat No: REC116S
Released: 1971

£4.00

Louis Armstrong And His All-Stars

Format: Vinyl Album
Genre: Jazz

Ambassador Satch

A1 Royal Garden Blues
A2 Tin Roof Blues
A3 The Faithful Hussar
A4 Muskrat Ramble
B1 All Of Me
B2 Twelfth Street Rag
B3 Undecided
B4 Dardanella
B5 West End Blues
B6 Tiger Rag

Philips

Cat No: BBL 7091

£4.00

Joe Newman & Sir Charles Thompson

Format: Vinyl Album
Genre: Jazz

Jazz Basie Style

A1 Joe Newman & His Band Close Quarters
A2 Joe Newman & His Band Jose Beguines
A3 Joe Newman & His Band Blue For Slim
A4 Joe Newman & His Band The Sleeper
B1 Sir Charles Thompson Quartet Swingtime In The Rockies
B2 Sir Charles Thompson Quartet Honeysuckle Rose
B3 Sir Charles Thompson Quartet These Foolish Things
B4 Sir Charles Thompson Quartet Sweet Georgia Brown

Vanguard

Cat No: VRS 8527
Released: 1973

£5.00

Various

Format: Vinyl Album
Genre: Jazz

Kansas City Jazz

A1 Pete Johnson's Band Six Twenty Seven Stomp
A2 Big Joe Turner And His Fly Cats Piney Brown Blues
A3 Mary Lou Williams And Her Kansas City Seven Baby Dear
A4 Mary Lou Williams And Her Kansas City Seven Harmony Blues
A5 Andy Kirk And His Clouds Of Joy The Count
A6 Andy Kirk And His Clouds Of Joy Twelfth Street Rag
B1 Hot Lips Page And His Band South
B2 Hot Lips Page And His Band Lafayette
B3 Count Basie Orchestra Good Morning Blues
B4 Count Basie Orchestra Doggin' Around
B5 Eddie Durham & His Band Moten's Swing
B6 Eddie Durham & His Band I Want A Girl

Coral

Cat No: CP 39
Released: 1970

£5.00

Various

Format: Vinyl Album
Genre: Jazz

Tootin' Through The Roof; Volume 2

A1 St. Louis Blues (Take 1) (2:37)
A2 St. Louis Blues (Take 2) (2:39)
A3 Super Tiger Rag (3:02)
A4 Song Of The Vipers (2:48)
A5 Will You, Won't You Be My Baby (2:43)
A6 On The Sunny Side Of The Street (Part 1) (2:51)
A7 On The Sunny Side Of The Street (Part 2) (3:02)
B1 Pennies From Heaven (2:51)
B2 Rose Of The Rio Grande (2:36)
B3 We're In The Money (3:47)
B4 Melrose Blues (4:25)
B5 Diga Diga Doo (3:58)
B6 Love Me Or Leave Me (3:54)

Polydor

Cat No: 2344 045
Released: 1973

£4.00

Artie Shaw

Format: Vinyl Album
Genre: Jazz

Artie Shaw

A1 Begin The Beguine (3:20)
A2 Any Old Time (3:10)
A3 Rosalie (2:42)
A4 Rose Room (3:07)
A5 Easy To Love (3:00)
A6 Lady Be Good (3:12)
A7 Chantez Les Bas (3:06)
B1 Concerto For Clarinet (9:19)
B2 Smoke Gets In Your Eyes (3:15)
B3 My Blue Heaven (2:50)
B4 Dancing In The Dark (3:08)
B5 September Song (3:18)

Fabbri Editori

Cat No: GdJ 52
Released: 1982

£5.00

Dinah Washington

Format: Vinyl Album
Genre: Jazz

The Very Best Dinah Washington

A1 September In The Rain
A2 This Bitter Earth
A3 It Isn't Fair
A4 What A Difference A Day Made
A5 I Wanna Be Loved
A6 I Don't Hurt Anymore
A7 Unforgettable
A8 Dream
B1 Teach Me Tonight
B2 Baby Get Lost
B3 Trouble In Mind
B4 Make A Present Of You
B5 I'll Never Be Free
Medley:
B7 Salty Pappa Blues
B8 Tell Love Hello

Philips

Cat No: SON 026
Released: 1976

£4.00

The World's Greatest Jazzband, Yank Lawson & Bob Haggart

Format: Vinyl Double Album
Genre: Jazz

The World's Greatest Jazzband

A1 Bourbon Street Parade
A2 Smile
A3 The Eel
A4 What's New
A5 Mercy Mercy Mercy
A6 Root Dog
B1 Walk Him Up The Stairs
B2 Girl On The Beach
B3 Dogtown Blues
B4 Doodle Doo Doo
B5 My Inspiration
C1 That's A Plenty
C2 Five Point Blues
C3 My Honey's Lovin' Arms
C4 Black And Blue
C5 That D Minor Thing
C6 Royal Garden Blues
D1 Come Back Sweet Papa
D2 Under The Moonlight Starlight Blue
D3 Constantly
D4 New Orleans
D5 The Jazz Me Blues

Atlantic

Cat No: K60018
Released: 1971

£4.00

Dinah Shore

Format: Vinyl Album
Genre: Jazz

Holding Hands At Midnight

A1 Nice Work If You Can Get It (2:02)
A2 Easy To Love (2:07)
A3 Come Rain Or Come Shine (3:05)
A4 Once In A While (3:11)
A5 It Had To Be You (2:50)
A6 You're Driving Me Crazy! (2:07)
B1 That Great Come-And-Get-It Day (2:25)
B2 Moanin' In The Mornin' (2:25)
B3 Under A Blanket Of Blue (2:33)
B4 Taking A Chance On Love (1:55)
B5 I Concentrate On You (2:31)
B6 Yesterdays (2:39)

RCA

Cat No: NL 89467

£5.00

Rex Stewart And His Dixieland Jazz Band

Format: Vinyl Album
Genre: Jazz

Boston 1953

A1 That's A Plenty (5:15)
A2 Basin Street Blues (5:43)
A3 High Society (2:42)
A4 Tin Roof Blues (6:05)
A5 Dixieland One-Step (4:30)
B1 South Rampart Street Parade (4:52)
B2 Weary Blues (4:54)
B3 Apex Blues (6:34)
B4 Wolverine Blues (4:40)
B5 When The Saints Go Marchin' In (5:12)

Musidisc

Cat No: 30 JA 5188
Released: 1976

£5.00

Wild Bill Davison, Bob Wilber, Eddie Hubble, Ralph Sutton, Isla Eckinger & Cliff Leeman

Format: Vinyl Album
Genre: Jazz

The Chicago Jazz Giants Live!

A1 Ole Miss Rag (6:29)
A2 When You're Smiling (7:04)
A3 New City Ditty (4:26)
A4 As Long As I Live (5:52)
B1 Blues My Naughty Sweety Gives Me (6:27)
B2 Beale Street Blues (5:27)
B3 Blue Again (3:34)
Piano Medley (7:11)

MPS Records

Cat No: 68.172
Released: 1977

£4.00

Sidney Bechet & Eddie Condon And His All-Stars

Format: Vinyl Album
Genre: Jazz

At Eddie Condon's Floor Show

A1 Buddy Bolden Stomp (3:14)
A2 Black And Blue (2:35)
A3 I Know That You Know (2:42)
A4 Summertime (2:54)
A5 Honeysuckle Rose (2:50)
A6 Argonne Stomp / Ole Miss (5:50)
A6a Argonne Stomp
A6b Ole Miss
B1 High Society (3:35)
B2 Blues In My Heart (3:38)
B3 Sweet Georgia Brown (3:15)
B4 September Song (2:20)
B5 Just One Of Those Thing (3:12)
B6 Blues / Ole Miss (4:00)
B6a Blues
B6b Ole Miss

Queen-disc

Cat No: Q-029

£6.50

Page of 154 next >>

Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.


In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.