4125 Records Match your Search
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Artist | Title | Label | Price | |
George Melly & The Saints Jazz Band + Mick Mulligan & His BandFormat: Vinyl AlbumGenre: Jazz |
The Saints Meet The SinnersA1 Mick Mulligan & His Band Since My Best Girl Turned Me Down (3:20)A2 George Melly & The Saints Jazz Band (2) Way Down Yonder In New Orleans (3:10) A3 Mick Mulligan & His Band It's A Sin To Tell A Lie (0:26) A4 Mick Mulligan & His Band Where Did You Stay Last Night? (0:46) A5 George Melly & The Saints Jazz Band (2) Tin Roof Blues (0:48) A6 George Melly & The Saints Jazz Band (2) Washington And Lee Swing (0:54) B1 George Melly & The Saints Jazz Band (2) Clarinet Marmalade (1:02) B2 Mick Mulligan & His Band Nobody Knows You When You're Down And Out (2:49) B3 George Melly & The Saints Jazz Band (2) 'S Wonderful (1:25) B4 George Melly & The Saints Jazz Band (2) What Did I Do To Be So Black And Blue (0:43) B5 Mick Mulligan & His Band Make Me A Pallet On The Floor (0:49) B6 Mick Mulligan & His Band As Long As I Live (1:11) |
ParlophoneCat No: PMC 1103Released: 1959 |
£14.00 |
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Clifford BrownFormat: Vinyl AlbumGenre: Jazz |
Clifford Brown Vol. 1A1 JorduA2 I Can't Get Started A3 I Get A Kick Out Of You A4 A Parisian Thoroughfare B1 All God's Chillun Got Rhythm B2 Tenderley B3 Sunset Eyes B4 Clifford's Axe |
Jazz ReactivationCat No: JR118Released: 1981 |
£6.50 |
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Lou McGarityFormat: Vinyl AlbumGenre: Jazz |
Lou McGarity: In CelebrationA1 SugarA2 Basin Street Blues A3 'S Wonderful A4 I Would Do Anything For You A5 You're Driving Me Crazy A6 Old Folks B1 Dream B2 Sweet Georgia Brown B3 Do You Know What It Means To Miss New Orleans? B4 Gidgety Feet B5 Four Or Five Times B6 Linger Awhile |
IAJRCCat No: 36Released: 1981 |
£2.00 |
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George LewisFormat: Vinyl AlbumGenre: Jazz |
Jazz Funeral At New OrleansA1 When The Saints Go Marchin' In (5:15)A2 Just A Closer Walk With Thee (5:07) A3 Down By The Riverside (2:40) A4 Burgundy Street Blues (4:13) B1 Ice Cream (5:45) B2 Panama (4:06) B3 Doctor Jazz (2:50) B4 Lou-easy-an-i-a (4:47) |
Olympic RecordsCat No: 7117Released: 1980 |
£7.50 |
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VariousFormat: Vinyl AlbumGenre: Jazz |
Casino Lights - Recorded Live At Montreux, SwitzerlandA1 Al Jarreau & Randy Crawford Your Precious Love (5:32)A2 Al Jarreau & Randy Crawford Who's Right, Who's Wrong (4:51) A3 Al Jarreau & Randy Crawford Sure Enough (4:10) A4 Randy Crawford & Yellowjackets Imagine (5:31) B1 Yellowjackets Monmouth College Fight Song (6:18) B2 David Sanborn Theme From "Love Is Not Enough" (8:21) B3 David Sanborn Hideaway (6:05) B4 Neil Larsen & Buzzy Feiten Casino Lights (5:02) |
Warner Bros. RecordsCat No: 92.3718-1Released: 1982 |
£6.50 |
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Alton Purnell & Barry Martyns BandFormat: Vinyl AlbumGenre: Jazz |
It's The Talk Of The TownA1 ChinatownA2 It's The Talk Of The Town A3 Sweet Georgia Brown A4 Baby Won't You Please Come Home A5 Blues For Lucia B1 Stardust B2 Clarinet Marmalade B3 I Want You, I Need You And I Love You Until The Real Thing Comes Along B4 Sweetheart Of Sigma Chi B5 Rose Room |
77 RecordsCat No: 77SEU12/44Released: 1972 |
£7.50 |
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Bobby Lamb - Ray Premru OrchestraFormat: Vinyl AlbumGenre: Jazz |
Live at Ronnie Scott's ClubA1 The Great White WhaleA2 Soliloquy A3 Round And Round And Round B1 Roots B2 A Winter's Tale B3 Cuchulainn |
BBC RecordsCat No: REC 116Released: 1971 |
£4.00 |
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Sadao WatanabeFormat: Vinyl AlbumGenre: Jazz |
How's EverythingA1 Up Country (10:37)A2 Mzuri (4:27) B1 Tsumagoi (6:31) B2 All About Love (4:40) B3 Nice Shot (8:30) C1 Seeing You (5:33) C2 No Problem (7:19) C3 Boa Noite (6:07) D1 Sun Dance (7:46) D2 M&M Studio (9:07) D3 My Dear Life (5:21) |
CBSCat No: CBS 22081Released: 1980 |
£5.00 |
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CarmelFormat: Vinyl 12 InchGenre: Jazz |
Bad DayA Bad DayB1 Rue St Denis (Dance Mix) B2 Bad Day (7" Version) |
London RecordsCat No: LONX 29Released: 1983 |
£5.00 |
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Alison MoyetFormat: Vinyl 12 InchGenre: Jazz |
That Ole Devil Called LoveA1 That Ole Devil Called LoveA2 That Ole Devil Called Love (Jazz Version) B Don't Burn Down The Bridge (Extended Version) (6:37) |
CBSCat No: TA 6044Released: 1985 |
£4.50 |
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Buddy Rich Big BandFormat: Vinyl AlbumGenre: Jazz |
Buddy Rich Big BandA1 Three Day Sucker (6:50)A2 Tommy Medley (11:55) B1 On Broadway (3:48) B2 Pieces Of Dreams (4:30) B3 Ease On Down The Road (3:30) B4 West Side Story Medley '75 (5:27) |
Europa JazzCat No: EJ-1009Released: 1981 |
£5.00 |
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Lionel HamptonFormat: Vinyl AlbumGenre: Jazz |
Bad DudeA1 Glad Hamp (5:25)A2 Groovin' Gates (10:15) B1 Easy Living (4:20) B2 Flying Home (12:15) |
Manhattan RecordsCat No: MAN 5036Released: 1980 |
£3.00 |
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Roadside PicnicFormat: Vinyl AlbumGenre: Jazz |
For Mad Men Only!A1 Sometimes I Get Very Sad (8:10)A2 For Mad Men Only! (7:22) A3 Lonely Wolf (5:50) A4 Premonition (Adventures In The Magic Theatre) (3:56) A5 Song For Elaine (3:16) B1 No Blues (4:48) B2 Victoria Park Forever (4:35) B3 The Visitation (5:33) B4 Steve At The Beach (10:40) |
NovusCat No: PL 74581Released: 1990 |
£5.00 |
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The CrusadersFormat: Vinyl AlbumGenre: Jazz |
Rhapsody & BluesA1 Soul Shadows (8:14)A2 Honky Tonk Struttin' (4:23) A3 Elegant Evening (5:58) B1 Rhapsody And Blues (8:45) B2 Last Call (6:40) B3 Sweet Gentle Love (4:52) |
MCA RecordsCat No: MCG 4010Released: 1980 |
£8.00 |
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Gene KrupaFormat: Vinyl AlbumGenre: Jazz |
Drummin ManA1 Drummin' ManA2 Opus 1 A3 Leave Us Leap A4 Drum Boogie A5 Body And Soul A6 Boogie Blues A7 Massachusetts B1 How High The Moon B2 Tuxedo Junction B3 Dark Eyes B4 That's What You Think B5 Bolero At The Savoy B6 Lover |
CBSCat No: 32262Released: 1983 |
£5.00 |
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Information on the Jazz genre
Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.
In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.
Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.
At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.